Two years ago, Deborah Levy came across a cartoon that sparked her imagination. It featured a Freud-like figure sitting opposite a rabbit on an analyst’s couch. Levy, a three-times Booker nominated novelist and award-winning author of nonfiction, had began her career as a playwright but had not written a script for 25 years until she came across the image. “As soon as I saw it,” she says, “I heard dialogue in my mind: a conversation, a serious, difficult conversation between a professor and a rabbit, about contemporary anxiety. I knew it was a play,” says Levy.
The premise may seem absurd but that is precisely the point – absurdism is a way of dealing with themes that have proved, in the wider world, divisive and even explosive to debate. Because the two-hander includes a rabbit, it makes space for humour, for misunderstandings.
