Rarely have I been simultaneously so thrilled and infuriated by a play. Sam Holcroft’s arch comedy about a playwright navigating an authoritarian regime is a beautifully crafted, mind-bending piece of work.
Jeremy Herrin’s production features a rivetingly OTT central turn from Jonny Lee Miller that burns his past heartthrob image to the ground, and fine, subtle performances from Sex Education’s Tanya Reynolds and rising star Micheal Ward, making a quietly charismatic stage debut.
