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The Guardian - UK
The Guardian - UK
Entertainment
Miriam Gillinson

‘A lot of these scary blokes doing time are terrified little boys’: Dennis Kelly on writing a new kind of prison drama

Josh Finan in Waiting for the Out.
Inside job … Josh Finan in Waiting for the Out. Photograph: PHOTOGRAPHER:/CREDIT LINE:BBC/Sister Pictures/Kerry Spicer

Writer Dennis Kelly has a few mantras he’s always lived by. They’re all there, clearly defined in his very earliest interviews, right from the start of his career. Write like you mean it (perhaps that’s why his plays have so much heart and drive). Never write for money and never compromise (maybe that’s why two of the best TV shows he had a hand in, the controversial conspiracy drama Utopia and the Sharon Horgan comedy Pulling, were cancelled after two series). And finally: make sure your writing always contains a secret.

In the case of Matilda, the smash-hit stage adaptation he wrote alongside Tim Minchin, Kelly only figured out the secret hidden inside his writing long after the awards came flooding in. It turns out that Matilda, a show that glows with love but also aches with a sense of a loss, was all about Kelly’s longing to be a father – a longing that was met just a few years after the premiere with the birth of Kelly’s now six-year-old daughter, Kezia.

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