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The Guardian - UK
The Guardian - UK
Lifestyle
Interview by Claire Armitstead

A dreamer in a Hollywood hotel – Penny Wolin’s best photograph

‘He was the microcosm of the idea that dreams are for all of us’ … the Sunday desk clerk (1975).
‘He was the microcosm of the idea that dreams are for all of us’ … the Sunday desk clerk (1975). Photograph: Penny Wolin/c. Penny Wolin 2022

I was a 21-year-old student at ArtCenter College of Design in California when I was assigned a documentary photography project. A model I was working with suggested I come and see a Hollywood hotel he was living in. It was fascinating. I could see there was quite a cast of characters there.

I’d always wondered who lived in this type of single-room occupancy hotel, where people might stay anything from one night to 30 years. I’d grown up in Wyoming, in a big house with a lawn and a dog, so it was foreign to me. I decided to move in and realised later, when I studied visual anthropology, that what I was doing was “participant observation”. I’ve continued to work like that throughout my career – become directly involved with my subjects for a long time. I’ve taken eight years to do a project.

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