Michaelina Wautier review: an astoundingly skilled painter returned to her rightful place in the spotlight
The first modern mention of the Flemish painter Michaelina Wautier (1614–1689) introduces an artist who defies expectation. Referring to her monumental Triumph of Bacchus (1655–59), Gustav Glück, the first art historian to serve as curator of Vienna’s Kunsthistorisches Museum, wrote in 1903 that “even in an age of female emancipation,…
The Conversation ·