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This Shaw revival has wonderful moments but there is little spark between Eliza Doolittle and Henry Higgins

She cancelled her honeymoon to star in A Streetcar Named Desire with four days’ notice – then won the 2023 Critics’ Circle best actress award. She talks to the Observer’s theatre critic, an early champion, about her next move

Danger stalks the radiant lovers in Rebecca Frecknall’s tumultuous, twilit Romeo and Juliet; a 1920s battle for the soul of BBC radio couldn’t be more timely; and Groundhog Day, once more with feeling

Stephen Sondheim once thought about turning the 1993 film “Groundhog Day” into a stage musical. He gave up on the idea, saying: “It cannot be improved. It’s perfect the way it is.” And he may have been right about that, said Clive Davis in The Times – but this “glorious…

A revival of the musical at the same venue where it premiered combines clever staging, impeccable performances and Tim Minchin’s lyrical brilliance into a reassuringly familiar and enjoyable package

If this show doesn’t quite escape the shadow of its source material, it adds dimension and depth to it

The most disconcerting element of watching The 47th last autumn at the Old Vic, a satirical comedy on Trumpian politics, is that Bertie Carvel’s brilliant turn as Donald Trump left me disappointed. This was despite Carvel expertly capturing the former US president’s bizarre finger pointing, his other tics and inflections,…

He’s the anarchic comedian behind the musicals Matilda and Groundhog Day. He talks about dashed Hollywood hopes, the dangers of modernising Roald Dahl and feeling out of step with his progressive fanbase

Ms Greene has said on her website that she persuaded Oscar-winning actor Kevin Spacey to take on the role of artistic director in 2003