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The Latest Breaking News from Shakespeare

Kevin Spacey receives standing ovation in first stage appearance since trial

Actor delivered Shakespeare scene during lecture at Oxford theatre in memory of Roger Scruton

The Guardian - UK

Hamnet star Madeleine Mantock: ‘Theatre is not my comfort zone’

The actor on playing William Shakespeare’s wife, and making her West End debut opposite Jennifer Saunders

Evening Standard

Venus and Adonis: this 'play within a plague' about Shakespeare is wildly romantic, erotic and colourful

Shakespeare wrote his famous narrative poem Venus and Adonis in a lockdown era when, in 1593, the bubonic plague closed the theatres in London for 18 months.

The Conversation

From analysis to the latest developments in health,
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Richard Young obituary

Farmer who combined campaigning on antibiotics and sustainability with a deep love of animals and literature

The Guardian - UK

‘A secret no one talked about’: Michael Morpurgo on discovering his real father – and hating Spielberg’s War Horse

As he turns 80, the prolific children’s author takes us on a tour of his Devon village, to talk about family bombshells, the burning of Joan of Arc – and finally getting a film adaptation he likes

The Guardian - UK

As it turns 60, the National Theatre must balance past and present

The NT has a civic duty to revive woefully neglected plays from the world repertory. Doing so will make modern drama stronger

The Guardian - UK

Immaculate Hampstead house once home to Shakespearean ‘Queen of Drury Lane’ listed for £7.35 million

The sale of Capo di Monte will include planning permission to significantly extend the basement level

Evening Standard

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Patrick Stewart, a Shakespearean actor who soars in sci-fi, looks back on his life in memoir

Patrick Stewart, who famously played a “Star Trek” captain, has boldly gone where no one has gone before — into his past

The Independent UK

The Crown has turned the royals into a ‘soap opera’, says Queen Elizabeth biographer Gyles Brandreth

Royal biographer claims Netflix’s hit drama series is ‘as truthful about the present royal family as Shakespeare’s play “Richard III” is about Richard III... but not quite as well written’

The Independent UK

Michael Gambon: an actor who let his heart and soul crack open

A star with incredible presence, Gambon brought heft and delicacy, mischief and feeling, to the stage and screen

The Guardian - UK

Michael Gambon, star of Harry Potter and The Singing Detective, dies aged 82

The Olivier award-winning actor, whose major film roles included Albus Dumbledore in the Harry Potter series, has died

The Guardian - UK

‘I didn’t want to be Bubbly Bonnie Langford for ever’ – the star relives her career highs and lows

In showbiz since the age of six, and still high-kicking at 59, the screen and stage sensation looks back on her biggest moments – from Cats to Doctor Who to the ‘madness’ of The Masked Dancer

The Guardian - UK

‘This is not a Trumpy, conservative education’: Florida’s controversial new SAT alternative

Will the Classic Learning Test bring ‘truth and beauty’ back into education – or is it fueling Ron DeSantis’s extremist agenda?

The Guardian - US

Compositor E review – traumatised typesetter leaves inky fingerprints all over Shakespeare

Charlie Dupré’s Bruntwood prize longlisted play asks thoughtful questions about who gets to shape history, but lacks a level of intrigue and emotional depth to address them fully

The Guardian - UK

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The Conversation

What is intelligence? For millennia, western literature has suggested it may be a liability

In the age of the Anthropocene, humanity appears poised to destroy itself.

The Guardian - UK

Graham Billing obituary

Other Lives: Teacher who was a central figure in his local cultural community, as well as a translator for many arts-based societies

AAP

Bell chimes in with a Succession plan fit for a king

Bell Shakespeare is staging its first production of the Bard's classic play King Lear in 13 years, as part of its 2024 season.

Fortune

‘Generative AI is not yet an automation technology’, say Oxford experts

Oxford's Carl Benedikt Frey and Michael Osborne revisit their decade-old predictions about jobs being automated.

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The Guardian - UK

What Was Shakespeare Really Like? by Stanley Wells review – Shakespearean speculation

An eminent scholar tries to imagine the great playwright’s character and tastes. But can we really know the bard?

The Conversation

A Haunting in Venice is Kenneth Branagh's 20th film – what do we make of his prodigious output?

In an essay on Kenneth Branagh, screenwriter Scott Frank recalls meeting the future star and director of his screenplay Dead Again (1991) and wondering “why the guy would want to direct a loopy, film noir thriller like mine?”

The Conversation

Choose Irvine Welsh: new documentary explores the life of Scotland's 'urban Shakespeare'

On August 23, Scottish novelist Irvine Welsh’s beloved Edinburgh football team, Hibs, went head-to-head with Aston Villa in the Europa League. But they were also competing for attention with the world premiere of Choose Irvine Welsh, a documentary by filmmaker Ian Jefferies about the life, writing and cultural impact of…

The Guardian - UK

‘The Iliad may be ancient – but it’s not far away’: Emily Wilson on Homer’s blood-soaked epic

Following her acclaimed translation of the Odyssey, Wilson has turned to Homer’s other, darker poem. She explains how she got stuck for six months – and why it speaks to today’s era of conflict

The Conversation

How linguists are unlocking the meanings of Shakespeare’s words using numbers

Today it would seem odd to describe a flower with the word “bastard” – why apply a term of personal abuse to a flower? But in Shakespeare’s time, “bastard” was a technical term describing certain plants.

The Guardian - UK

How many marks out of 10 does Charles deserve after his first year on the throne?

Let’s see: he has brought Andrew back into public life, managed to grow his hair longer and, er…

Evening Standard

As You Like It at Shakespeare’s Globe review: not always subtle, but consistently delightful

The Globe’s now-habitual gender-fluid approach to casting chimes perfectly with this story of disguise and confusion

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