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The Latest Breaking News from Robert Fripp

The story of King Crimson's Red is on the cover of the new issue of Prog, on sale now!

Plus BEAT, Anthony Phillips, Hawkwind, The Tangent, SIx By Six, Whom Gods Destroy, Trifecta and loads more...

Louder

“My discipline is doing what needs to be done, whether you like it or not… Robert decides what to do and Fripp has to go and do it”: How to survive over 50 years of King Crimson, by the only person who’s been there

Serious leader of a prog behemoth, hugely influential guitarist, half of the Toyah & Robert party band… who is the real Robert Fripp? He offers some tantalising hints

Louder

“David Bowie and Brian Eno used to laugh at me, saying: ‘You’re not supposed to be able to play that!’” Adrian Belew on Frank Zappa’s lessons, Robert Fripp’s synth guitar, and what’s coming up with Steve Vai

Still amazed that he managed to gather Vai, Tony Levin and Danny Carey into new band Beat, Belew reflects on his light-speed journey from 1977 to 1982, and how he plans to reactivate King Crimson’s ‘80s albums on stage

Guitar World

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“Robert had a plan laid out that we would do three records in three years”: Adrian Belew on how King Crimson made an underrated prog classic in “this industrial musical junkyard we created”

Adrian Belew reveals what went on behind the scenes during the making of the band’s dual-personality 10th album, Three of a Perfect Pair – the final studio release from the Fripp/Belew/Levin/Bruford crew

Guitar World

Toyah and Robert Fripp show no signs of growing up on "elderly edition" of Blink 182's Growing Up

The shenanigans continue in Worcestershire's most iconic kitchen

Louder

“His style is so specific and refined. It's not something I could just jump into”: Steve Vai explains the hardest part of replicating Robert Fripp’s playing style

Vai will be touring King Crimson’s ‘80s material with Beat in the fall, and he’s spoken about his preparations – which includes working with Roland on three purpose-built guitars

Guitar World

“Jimi Hendrix came down to see us – he came up to me and said, ‘Shake my left hand, man, it’s closer to my heart’”: King Crimson’s Robert Fripp on the time he met Jimi Hendrix

Robert Fripp recalls Jimi Hendrix calling King Crimson “the best band in the world”

Guitar World

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“We started thinking, ‘Well, who could possibly be in the band?’ The only person I could think of was Steve”: Adrian Belew on how he and Steve Vai are forming a new guitar partnership ahead of a King Crimson supergroup tour

'Beat' will tour the band's ’80s material later this year, and the group's guitar duo is working on a partnership that can do the Belew/Fripp double act justice

Guitar World

“The fans understood I was the price they had to pay to hear the band they loved, so they put up with me. It’s not like you’re joining the Sex Pistols”: Trevor Horn on fronting Yes – and how it later made 90125 possible

Producer recalls making his colleagues feel “embarrassed and amused at the same time” as he begged them not to give up on Owner Of A Lonely Heart

Louder

"All of a sudden we play at blinding speed and unbearable intensity, and everyone starts to take notice and stand up": How King Crimson got started

Recorded in just 10 days in 1969, King Crimson’s iconic In The Court Of The Crimson King has been called “the true point at which progressive rock was born”. We look at the making of a landmark album

Louder

“Robert Fripp played the solo and we didn’t like it. He said, ‘You’re wrong.’ Steven Wilson said, ‘This is how wrong we are,’ and deleted it”: How No-Man prospered by refusing to ever fit in

Housekeeping box set illustrates that when Tim Bowness and Wilson refused to compromise, it was a strength rather than a weakness – even if one of them couldn’t listen to their early work for 20 years

Louder

"I call Bill Bruford and blurt out 'how would you like to be in a rock band again?' Bill says, 'And do what? Sit around a luggage carousel all day?' But he gave us his blessing." Adrian Belew opens up on the formation of Beat

Adrian Belew has formed Beat with Tony Levin, Danny Carey and Steve Vai to perform King Crimson's 80s reportoire

Louder

“Robert Fripp is one of our historical geniuses… I will be putting my best foot forward to respect this great music”: Steve Vai, Adrian Belew, Tony Levin and Danny Carey reveal full details of new King Crimson supergroup tour

The Fripp-approved band – which will revisit and reinterpret tracks from Crimson's Discipline, Beat, and Three of a Perfect Pair albums – will hit virtually every corner of the US and Canada this fall

Guitar World

2024 may be remembered as the year in which Robert Fripp got naked and pretended to open an OnlyFans account

April Fool's Day may have come and gone, but some images will linger forever

Louder

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“We were really screwing with the system, removing applause from live tracks to sound like studio tracks – the exact opposite of what people do today”: How King Crimson made stealth live album Starless And Bible Black

King Crimson’s 1974 ”excruciating, teeth-pullingly difficult” album Starless And Bible Black sowed the seeds of their looming breakup

Guitar World

“I saw this video of somebody breaking down Heart of Glass. The guy said, ‘Here’s Chris Stein’s guitar part.’ I was like, ‘No, that’s my guitar part’”: Frank Infante sets the record straight on his iconic Blondie riffs and solos

From One Way or Another to Atomic, the former Blondie guitarist looks back on his time with the new wave sensations: the triumphs, the turbulence, the tones, and why he always has to set the record straight on who played what

Guitar World

From King Crimson to A-list hired gun with Talking Heads, Frank Zappa and David Bowie, Adrian Belew created his own language on the guitar – here are his 10 greatest guitar moments

With King Crimson, Talking Heads, as a solo artist, it didn't matter: Adrian Belew manipulated the guitar like no-one else, bending sound into new shapes

Louder

“You pick five interesting guys, lock them in a room together… and if they make an album without actually killing each other first, it will at least be an interesting album”: How King Crimson made Larks’ Tongues in Aspic

The 1973 release steered a new line-up into uncharted waters, resulting in a work that could only have been made by a band who were “prepared to jump off the cliff”

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Guitar World

“Steve Vai is the only guitarist who could play my parts. I’m totally psyched for this”: Robert Fripp gives his blessing for a new King Crimson supergroup, featuring Steve Vai, Adrian Belew, Tony Levin and Danny Carey

The star-studded lineup will perform tracks from King Crimson's ’80s albums – and it was Fripp who suggested the group's name

Louder

“Robert Fripp watched the show from the wings. As I was playing I was thinking, ‘Oh, I stole this line from Robert… that’s a riff from him too!’” Billy Sheehan’s obsession with King Crimson’s Red

Mr Big, Whom Gods Destroy and Sons of Apollo bassist once spent two weeks listening to nothing else

Louder

Robert Fripp endorses new Adrian Belew Crimson project Beat

Adrian Belew has teamed up with Tony Levin, Danny Carey and Steve Vai as Beat to perform King Crimson's 80s reportoire

Louder

Robert Fripp and Toyah announce Christmas 2024 party and you're all invited

King Crimson guitarist Robert Fripp and wife Toyah Willcox will play five live shows this Christmas

Louder

Robert Fripp and Toyah Willcox have returned to the internet with a sparkling new episode of that thing they do at the weekend

Two of Britain's most popular light entertainers are back to enliven your week with a cover of Shocking Blue's classic Venus

Louder

“I put an ad in Melody Maker – ‘musicians only need apply!’ – and we got Peter and Michael Giles, and Robert Fripp”: So many artists wanted to be part of Judy Dyble’s world

Late singer decided to avoid staying in bands too long after being fired from Fairport Convention – “I’d leave before they could throw me out” – but believed the split sent both parties hurling into adventures they’d otherwise have missed

Louder

“People would ask: ‘Is David Byrne a genius or a moron?’ I wanted to nip that ‘moron’ bit in the bud, so it was better to say ‘genius.’ The truth is somewhere in between”: The prog credentials of Talking Heads

The eccentric post-punk outfit certainly progressed with albums including More Songs About Buildings And Food, Fear Of Music and Remain In Light… but were they actually progressive?

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