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The Latest Breaking News from Ritchie Blackmore

That mix that made Deep Purple great was never stronger than on Machine Head, and never clearer than it is now, on its 50th anniversary edition

This reissue of Deep Purple's 1972 album Machine Head adds remixes, Montreux and BBC live sets, audio fairy dust and more

Louder

“If somebody’s got an alcohol problem or a drug problem, there’s nothing you can do”: the epic life of Don Airey, the man who has worked with Ozzy Osbourne, Ritchie Blackmore and Gary Moore and lived to tell the tale

Ozzy, Richie Blackmore, Gary Moore - keyboard maestro Don Airey has worked with them all and has the stories to prove it

Louder

"The scent of cremated steaks and exotic gateaux lingers in the air": Revisiting the secret launch of Deep Purple's Perfect Strangers

In 1984 Deep Purple's much-loved Mk II lineup reformed, and one Classic Rock writer was invited along to a secret location to hear all about it

Louder

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“It was just another riff, like Into The Fire. We didn’t make a big deal out of it and it wasn’t being considered as a track for the album": Ian Gillan on the unlikely success story of writing and recording Deep Purple's Smoke On The Water

"The downdraft from the mountains caused the smoke to blow across Lake Geneva, like a film set or dry ice on a stage show. At this point, Roger wrote the words ‘smoke on the water’ on a napkin”

MusicRadar

"We should have been writing our own songs, but it was much better to listen to Abba": Ritchie Blackmore has named his favourite band of all time

Ritchie Blackmore opens up during a 40-minute online Q&A filmed at home in Long Island

Louder

"A lot of people don't like Ritchie Blackmore. But he feels he has nothing to say apart from what he says with his guitar": the mutual respect between Deep Purple's Ritchie Blackmore and Mountain's Leslie West was sweet and pure

Hearing Mountain for the first time in 1970 rendered Ritchie Blackmore speechless, and Leslie West was equally impressed by Deep Purple's guitar hero

Louder

"Bonzo was a dear friend of mine, and I think we might've been listening to a little Led Zeppelin": Deep Purple's track-by-track guide to Burn

David Coverdale, Glenn Hughes and Ian Paice reveal the secrets of Burn, Deep Purple's first album with the Mark III line-up

Louder

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"We were surrounded by these drums and guitars that The Beatles had used, but the engineers were too stoned to record us": How the stars repeatedly failed to align for Trapeze

Fronted by the future Voice Of Rock, Trapeze were soon on board the Express To Success. But then Deep Purple came calling and walked off with the golden-throated goose

Louder

"I'm not too struck on Jimmy Page and Eric Clapton, I never saw what was in Clapton at all". In 1975, Deep Purple's Ritchie Blackmore was asked for his thoughts on his peers: he did not hold back

Blackmore on Hendrix, Beck, Page, Clapton, Townshend and more

Louder

“We were the original bearded pirates. Nobody gave us a chance”: the epic story of how Whitesnake became the greatest blues rock band of the early 80s

Before MTV and hair metal, Whitesnake were the greatest blues rock band of the early 80s

Louder

"Towards the end it was not pretty. I scraped myself off the walls of insanity. I was barking like a dog": the last days of Deep Purple

On July 19, 1976, Deep Purple officially split up. The ending was horrible, marked by addiction and jealousy

Louder

"It was a very magical time. The right people came together at the right moment": Ronnie James Dio's track-by-track guide to Dio's classic Holy Diver

Many believed Ronnie James Dio was finished when he quit Black Sabbath, but he proved the doubters wrong with an all-time classic

Metal Hammer

“I’m so fortunate not to have died. I’ve overdosed, been pistol-whipped, shot at, stabbed, run over in a car... and I’m still here”: Glenn Hughes, The Voice of Rock, has lived the lives of 10 men, and he's not finished yet

Glenn Hughes, The Voice of Rock, looks back upon a lifetime of fabulous, and sometimes terrifying, rock 'n' roll adventures

Louder

In 1979, Ritchie Blackmore's Rainbow began making their fourth album, Down To Earth. Cue pranks, tantrums, line-up changes, bad vibes and really bad hair days

"I didn’t look like them and I wasn't into their music" - Graham Bonnet on being offered the job of Rainbow singer

Louder

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MusicRadar

“I didn’t want to have anything to do with the song. To me, it was like: ‘Are we turning into Depeche Mode?’”: Europe’s John Norum says he thought The Final Countdown was “dreadful” at first

It would go on to become the Swedish rockers’ biggest track but Norum took some persuading that all those synths would work with guitar

Guitar World

Jason Becker hailed his “stunning technique and explosive guitar tone” – now Jien Takahashi is building a unique brand of shred shaped by Ritchie Blackmore, Morbid Angel and a quest to prove “a guitar solo can be as persuasive as a singer's voice”

The rising Japanese virtuoso has an undying love for the shred heroics of Becker and Marty Friedman, but also uses his Ibanez, PRS and occasionally his $50 Legend Strat copy to traverse much wider melodic ground

Metal Hammer

"I'll be honest here – I think they blew us off stage every single night": what happened when AC/DC went on tour with Ritchie Blackmore's Rainbow

In 1976 Ritchie Blackmore's Rainbow embarked on the Rising tour of Europe with a young band from Australia in tow: Ronnie James Dio was watching them very closely

Guitar World

“It’s one thing to listen, but when you play these songs, you go, ‘It’s no wonder Eddie had so much fun playing this’”: Tackling Van Halen, reforming G3, recording with Steve Vai – Joe Satriani is gearing up for his biggest year yet

He’s the godfather of shred, but over four decades into his career, Joe Satriani is busier than ever. He explains why he’s playing catch-up after avoiding Van Halen songs in the ‘80s, what his “intentionally excessive” collaborations with Vai have in store, and the biggest struggles he’s facing in covering…

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Guitar World

“I want to honor the sound, but I don't want to lose myself”: Joe Satriani says he’s coming to terms with the fact that he doesn't sound like Eddie Van Halen

The guitar icon has been drafted in to take on EVH parts alongside Sammy Hagar and Michael Anthony in the Best of All Worlds tour – and compares the challenge to taking on Ritchie Blackmore’s parts on tour with Deep Purple in the early-’90s

Louder

“Whenever King Crimson is in active mode there is nothing else I can do with my life… to be able to focus on being more of a guitarist is the right place for me”: Robert Fripp’s new lease of life

Now Toyah & Robert’s Sunday Lunch has moved from the kitchen to the stage, he enjoys ”giving a heavy kicking to received opinion”

Louder

30 guitarists on the guitar heroes who changed their life

Slash, Angus Young, Paul Stanley, Billy Gibbons reveal the guitarists who made them want to play in the first place

Louder

"We did have a couple of séances, but I didn't see any ghosts, though I know the place was haunted": Glenn Hughes on the recording of Deep Purple's Burn

Bassist/vocalist Glenn Hughes on joining Deep Purple, almost joining Rainbow, leaving the Dead Daisies, the future of Black Country Communion, and 50 years of Burn

Guitar World

Eddie Van Halen, Jimi Hendrix and Jimmy Page are some of guitar’s greatest trailblazers – learn their styles and level up your playing with this rock guitar deep-dive

The styles of Slash, Eric Clapton, Ritchie Blackmore and a suite of other rock gods are placed under the microscope for this comprehensive lesson – tabs and audio included

Guitar World

Boost pedals: the history of the stompbox that supercharged the sound of rock ’n’ roll – and how to make the most of one on your pedalboard

Tony Iommi, Brian May and Eddie Van Halen all honed their tone by boosting their amps – here’s how a boost pedal can enhance your guitar rig

Guitar World

“There’s not much swagger in that band.” For Glenn Hughes, joining Deep Purple wasn’t the clear-cut choice that you’d think

The ‘Voice of Rock' looks back on his decision to quit Trapeze in 1973, and why Ritchie Blackmore was “a bit eccentric”

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