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The Latest Breaking News from Rigoletto

Portrait of an artist: Hungarian soprano Andrea Rost rolls the dice for political change

After switching from performing to politics, the famous soprano Andrea Rost has lost a lot because of her decision to campaign for change. Now she's in unchartered waters and despite facing a barrage of personal attacks, the singer sees her new status as both a challenge and an inspiration.

Euronews

David Rendall obituary

Tenor who sang at La Scala and Glyndebourne and although dogged by misfortune lived life to the full

The Guardian - UK

Rigoletto review – Miller’s mafioso take still brings style and insights to Verdi’s masterpiece

Jonathan Miller’s iconic staging for ENO is 40 years old but with Richard Farnes conducting and a striking debut from Robyn Allegra Parton as Gilda, this remains a vibrant and engaging production

The Guardian - UK

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Rigoletto review – dark and daring take on Verdi’s depraved tale

With the Welsh National Opera on the ropes from funding cuts this is a defiantly non-safe staging with a fine cast and the orchestra and chorus on exceptionally strong form

The Guardian - UK

The week in classical: Under the Little Red Moon; Helen Charlston & Sholto Kynoch; Rigoletto – review

An ‘opera for tinies’ captivates its target audience; the mezzo of the moment dazzles at Oxford’s renamed song festival; and Oliver Mears’s #MeToo Verdi still resonates

The Guardian - UK

Rigoletto review – Verdi’s jester locks horns with the Bullingdon Club

In an engaging but problematic staging, the Duke’s court is relocated to interwar Oxford, with Alison Langer’s beautifully sung Gilda a standout

The Guardian - UK

Covid can't stop opera stars as understudies shine in Rigoletto at Newcastle's Theatre Royal

Kamohelo Tsotetsi and Yolisa Ngwexana took two of the lead roles in a modern interpretation of Rigoletto at the Theatre Royal, leaving the audience delighted

Chronicle Live

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Rigoletto review – powerful update, led by stellar duo, is a revelation

Underlining the otherness of Verdi’s court jester by making him a black man is a masterstroke by Femi Elufowoju, the leads sung with potency by Eric Greene and Jasmine Habersham

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