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The Latest Breaking News from Ray Manzarek

“Jim would come in too drunk to sing decently. Sometimes it was a phrase at a time”: The tortured story of The Doors’ Waiting For The Sun, the album that set Jim Morrison on the path to destruction

Three albums in and Jim Morrison was heading down a dark path

Louder

"On stage, I'd surrender to the ritual. It was like a meditation": Robby Krieger and John Densmore remember life with Jim Morrison and tell the acid-fuelled story of The Doors

Sixty years after The Doors took audiences on a destination-unknown thrill ride, Robby Krieger and John Densmore tell the band's wild story

Louder

"We were so fired up to go on before Jim checked out that we didn't acknowledge his death and grieve": When the music's over - the story of The Doors' strange afterlife

The death of talismanic frontman Jim Morrison in 1971 looked like it marked the end of the road for The Doors. But his bandmates had other ideas

Louder

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“Ray Manzarek hated the sound of distorted guitar chords. He didn’t think they belonged in music”: X’s Under the Big Black Sun is a stone-cold L.A. punk classic, produced by a legendary figure who “didn’t really like punk rock” – here's how it was made

In X guitarist Billy Zoom's mind, the band could have been Eddie Cochran meets the Ramones, but they ended up being much more. A renaissance man with a love of Gretsch, Zoom takes us back to revisit the band's seminal 1982 album

Guitar World

“That was one thing I wanted to get right with Oliver. I went to his house and made sure he knew how that one had happened”: Robby Krieger sets the record straight on how a Doors classic was really written – and what the controversial movie got wrong

Oliver Stone's 1991 movie The Doors was panned for its historical inaccuracy – and Krieger is now clarifying how the band's songwriting process actually played out

Guitar World

"He was so drunk, we couldn't even finish the show": Surviving members of The Doors on the breakdown of the band and life with Jim Morrison

"His real problem was the Oedipus complex": Drummer and guitarist John Densmore and Robbie Krieger speak to Rick Beato

MusicRadar

“They said, You boys will never do this show again!” The Doors' Robby Krieger and John Densmore share their memories of being banned from America's most legendary TV show

On September 17 1967, The Doors performed live on US TV institution The Ed Sullivan Show. They would not be invited back

Louder

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“The Grateful Dead wouldn’t let us use their amps. Ray was aghast – he kept saying, ‘Pigpen? Someone named Pigpen won’t let me use his instrument?’”: With a volatile lead singer and no bass player, they left an indelible mark on rock

The Doors' ever-versatile and underrated guitar slinger, Robby Krieger, charts the band's career – from the difficulties of working with Jim Morrison, his best guitar solo, and the time they consciously stole from Cream

Guitar World

“Jim’s attitude was always: ‘Look out, man, I’m hell-bent on destruction.’ We couldn’t moralise”: How The Doors snatched victory from the jaws of chaos to make the classic Morrison Hotel album

By 1970, Jim Morrison was in an alcoholic spiral and facing jail time – but The Doors still managed to make one of their greatest albums in Morrison Hotel

Louder

“Jim’s whole shaman thing only became apparent later, after people wrote books about us. To us, he was just the frontman”: Jim Morrison – the man behind the myth, by the people who knew him

Shaman? Lizard King? Visionary? This was the real Jim Morrison, according to his Doors bandmates

Louder

The 60th anniversary of The Doors is to be celebrated with a box set, a live album and a lavish book

1965 marks the 60th anniversary of Ray Manzarek and Jim Morrison's first encounter at Venice Beach

Louder

LA punk legends X: ‘The violence didn’t bother me as much as the spitting!’

They chronicled 1980s Los Angeles as a nihilist nightmare and became a key voice in the city. Releasing their final album, they recall the wild parties – and rocky romances

The Guardian - UK

“Riders on the Storm started off as a surf tune – then it somehow morphed into what it became…” Robby Krieger on honing his Doors guitar tone, overcoming “dentist’s syndrome”, and why slide guitar is the ultimate way to express yourself as a player

Robby Krieger breaks down his new album with the Soul Savages’ new album, and details his struggles to come up with his own sound during his time with the Doors

Guitar World

"I remember him coughing and spitting up blood, probably from smoking too many cigarettes. But in my mind, Jim was indestructible": Robby Krieger looks back on the making of The Doors' LA Woman

Classic interview: Revisiting a 2012 chat on the album where The Doors produced themselves for the first time and Jim Morrison's health decline became clear – "It was a stressful time"

MusicRadar

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Louder

Light My Fire turned The Doors into superstars: For a moment, it also turned Jim Morrison into a target for the Mob

The Doors experienced their first taste of big success with Light My Fire, but it infuriated a certain Frank Sinatra

Louder

“It was the kind of place where you could start a religion or plan a murder”: the story behind The Doors’ Morrison Hotel album cover

How an LA flophouse and the original Hard Rock Café played a part in creating the iconic artwork of The Doors’ Morrison Hotel album

Guitar World

“It looked cool – especially when you took acid… those horns looked like the devil!”: The Doors’ Robby Krieger on his love of the SG, studio accidents and a challenging move away from his signature fingerstyle

The influential Doors guitarist is back with a new record. He explains how he’s (almost) found comfort in a new way of playing

Louder

"We have one rule: you can have body punches and choke-holds and throw bottles at each other, but we never crack each other in the face": What happens when bands fight

The 40 bitterest bust-ups in rock history: From fisticuffs to wars of words to litigation and beyond, rock'n'roll’s divorce courts are packed with ire and animosity:

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Louder

“We wanted to challenge all the ideas. We had no rules, no limits, no laws”: why Oliver Stone’s The Doors is the most influential rock biopic ever made

Oliver Stone’s The Doors divided the critics – and the surviving band members. But it made Jim Morrison a star all over again and laid down the template for the modern rock biopic

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