Leaning into Uncle Vanya’s bleakness: a sumptuous play, with a deeply modern feel Uncle Vanya is Anton Chekhov’s classic tale of the flawed lives of educated, wealthy Russian elites. The Conversation · Jul 29
The West Gate Bridge disaster looms large over Melbourne. A new play can’t fully capture its grief Every Melburnian knows the West Gate Bridge, crossing the Yarra River north of its exit to Port Phillip Bay. It looms, it hums, it holds memory, it writhes. The Conversation · Mar 17
Jean Tong’s Do Not Pass Go is Kafka for the modern corporate age In the shadow of Franz Kafka’s visionary dystopian fiction, the faceless, hierarchical machinery of bureaucracy has long served as a symbol of quiet, grinding despair. Kafka’s institutions are at once impenetrable and absurd, systems that trap individuals in a perpetual tension between resignation and the faint, flickering hope of change. The Conversation · Feb 23
A love letter to Country: grief, motherhood and loss in Jada Alberts’ Black Light This story oscillates and swells around a glass outdoor table, on the porch of a family home on Larrakia land. A table almost identical to the one on my porch back home. I point this out to my sis as the bubbling opening night crowd pours into the Merlyn Theatre,… The Conversation · Feb 20
A stage adaptation of Dying: A Memoir asks the big questions about death – but ends up strangely unmoving What makes a good death? Quietly surrounded by friends and family or going out in a flash of blazing glory (whatever that means)? The Conversation · Oct 31, 2025
New adaptation of Rebecca is visually haunting, but misses the core tensions of the original story Melbourne Theatre Company’s (MTC) latest offering is a striking adaptation of the 1938 gothic novel Rebecca by Daphne du Maurier. The Conversation · Oct 6, 2025
Destiny is a fierce new stage show exploring love, loss and rebellion under the shadow of apartheid South Africa Award-winning playwright and actor Kristy Marillier’s new work, Destiny, is an ensemble drama set in 1976 South Africa, against a backdrop of rising resistance to the apartheid regime. The Conversation · Aug 25, 2025
‘What 'are’ we going to do about the orchard?‘ Pony Cam takes on Chekhov classic for Malthouse debut Pony Cam makes its mainstage debut at Malthouse Theatre with The Orchard, an adaptation of Anton Chekhov’s classic. The Conversation · Aug 8, 2025
Vivid, thrilling and ghastly: new theatrical adaptation of The Birds evokes climate disaster, terrorism and lockdown Malthouse’s new production of The Birds is a thrillingly realised take on the 1952 short story by Daphne Du Maurier. Adapted by Louise Fox and directed by Matthew Lutton, this vivid realisation is a chilling treatise on fear and resilience in the face of an external threat. The Conversation · May 23, 2025
Grief, strength and resistance: The Black Woman of Gippsland is a powerful reckoning with colonial myths A woman is tossed ashore, bedraggled and alone. She is believed to be a survivor of a shipwreck, possibly from the Britannia or the Britomart, both lost in the Bass Strait that year. The Conversation · May 12, 2025
A new play about Julian Assange, Truth is an intelligent, thoughtful and unsettling work Truth, the new play from writer-director pair Patricia Cornelius and Susie Dee, dives headfirst into the contentious world of Julian Assange. It offers us a nuanced portrait of the WikiLeaks founder who transformed from hacker wunderkind to global lightning rod. The Conversation · Feb 20, 2025
My Brilliant Career: musical based on Miles Franklin’s novel takes us on a sassy, spirited journey of self-discovery Melbourne Theatre Company’s My Brilliant Career is a musical re-imagining of Miles Franklin’s classic 1901 novel of the same name. It follows a young woman, Sybylla Melvyn, as she chafes against her rural constraints to seek creative freedom. The Conversation · Nov 18, 2024
Rent review – earnest Australian production doesn’t save the musical from feeling like parody Musical theatre can get away with being daggy and manipulative but this show pushes it too far – and this remount doesn’t overcome its faults The Guardian - AU · Feb 21, 2024
Meet Me at Dawn review – a deeply moving meditation on grief Fairfax Studio, Melbourne Theatre CompanyJing-Xuan Chan and Sheridan Harbridge are excellent as a couple mysteriously marooned on a beach – but the pace of this story is jarring The Guardian - AU · Feb 19, 2024
The Guardian - AU · Jan 20, 2024 Seventeen review – seniors play teenagers in a spirited, elegiac meditation on youth Melbourne Theatre Company, Sumner theatreThe cast are uniformly excellent as raucous, vulnerable teens in Matthew Whittet’s play, which grapples with the mystifying allure and trap of memory
The Guardian - AU · Dec 21, 2023 Australia on stage: the best theatre, musicals, dance and opera of 2023 From ballet to Afrofuturism to a world-class immersive spectacle, Guardian Australia critics pick out the best live stage experiences of the year
The Guardian - AU · Oct 20, 2023 Hour of the Wolf review – is this the end of immersive theatre? This choose-your-own-adventure set in a spooky town haunted by a monster reaches for the baroque – but feels like a hollow cash-grab instead
The Guardian - AU · Aug 13, 2023 Escaped Alone and What If If Only review – this Caryl Churchill double bill opens with a masterpiece These two short plays by the legendary UK playwright span afternoon tea and the apocalypse, past and future, grief and survival
The Conversation · Aug 3, 2023 New Aussie musical Bloom misses an opportunity to interrogate the gaps in aged care – and in our social fabric Bloom, the new Australian musical produced by the Melbourne Theatre Company, is proudly billed by the company as born and bred right here in Melbourne/Naarm.
The Guardian - AU · Jul 23, 2023 Bloom review – Tom Gleisner’s aged care musical is cheerily good-hearted Katie Weston’s songs are effective enough and Gleisner’s lyrics are serviceable, but Bloom comes to life when the excellent cast get to perform all together
The Guardian - AU · Jul 13, 2023 This Is Living review – a group holiday turns sour in autobiographical play that fails to ring true Dealing poorly with a cancer diagnosis, the central couple seem oddly underwritten – but the piece is saved by the three women who play their friends
The Guardian - AU · Jun 26, 2023 Midnight review – feminist Cinderella musical is derivative and Disneyfied This ambitious production has a talented cast, but it is often so imitative of other shows, it ends up feeling shallow and conservative
The Guardian - AU · Jun 20, 2023 Is God Is, the explosive play shaking up theatre: ‘I’ve always been the only Black actor in the room’ The hit play, which is MTC’s first all Black production, blends Spaghetti westerns and Greek tragedies to produce a story that is by, for and about Black women
The Guardian - AU · May 29, 2023 Jacky review – incredibly uncomfortable, thoughtful theatre Fairfax Studio, Melbourne Theatre CompanyBy Arrernte playwright Declan Furber Gillick, Jacky follows two Indigenous brothers who clash over the expectations of white people around them
The Guardian - AU · May 6, 2023 Happy Days review – Judith Lucy is wonderfully disturbing in Samuel Beckett’s masterpiece Sumner Theatre, Melbourne Theatre CompanyThe former stand-up is a natural fit for the role of Winnie, a tragic woman attempting to stave off hopelessness in the face of great horror