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The Latest Breaking News from Olly Curtis

“If detuned modern rock and metal is your thing, it’s definitely one to check out”: Victory VX The Kraken MKII Lunch Box Head review

Victory’s compact high-gain monster is back, revamped and improved, and with a new Clean mode

Guitar World

“For the electric player who fancies some nylon sound, with a pick, it’s a simple drive and very fit for purpose”: Godin G-Tour review

As Canada’s foremost manufacturer of steel- and nylon-string acoustics and electros, not to mention an increasingly broad line of electrics, Godin has combined its past into the G-Tour

Guitar World

“It’s one of Boss’ most eagerly anticipated pedals ever – but is this featured-packed reverb worth the wait?” Boss RV-200 Reverb review

The long-awaited twin-footswitch reverb pedal has taken the flagship RV-500 format and downsized it to pedalboard-friendly proportions, all while adding an all-new Arpverb algorithm

Guitar World

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“A very endearing, characterful instrument… a guitar that looks and feels old, played-in and used but is perfectly fit for purpose”: Vintage Proshop V72 Custom Build review

With guitars seemingly getting more expensive by the day, is a bespoke build now just a thing for the very well-off? We go in search of a more affordable route from the UK…

Guitar World

“Quite simply one of the best ‘entry level’ acoustic guitars we’ve experienced”: JWJ Guitars “The Hog” review

Last year, we were mightily impressed when we looked at UK builder Rich Jones’ Parlour and Orchestra acoustics. This time it’s the turn of his entry-level, all-mahogany dreadnought

Guitar World

“It’s the higher-profile artist associations that tend to attract the big money – things like your Pearly Gates and your Jimmy Pages”: Why Gibson’s replicas of famous Les Pauls are commanding almost as much as vintage guitars

Gibson’s highest-tier replicas are seriously sought after on the collector's market. We find out what all the fuss is about and examine a rare recreation of Jimmy Page’s fiendishly complex #2 Les Paul Standard

Guitar World

“Let’s be clear: this is not a bedroom amp. It’s designed to fill huge halls and stadiums with ferocious rock riffage”: PRS Mark Tremonti MT 100 review

Bucking the recent trend for compact heads, PRS goes large with its latest signature amp for the Alter Bridge guitarist

Guitar World

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“We are greeted with a guitar that looks like it arrived here in a DeLorean”: Fender Vintera II '70s Competition Mustang review

Fender rolls back the clock for a vintage-inspired take on the classic budget short-scale, which remains tonal nirvana for a certain breed of guitarists

Guitar World

Every Golfer Dreams Of Hitting The Perfect Drive... And Our Two Experts Reveal How It's Done

Hitting the perfect drive is definitely achievable, and with the help of Two Golf Monthly Top 50 Coaches, Tom Motley and Katie Dawkins, we explain how...

Golf Monthly

“An affordable way to harness a little bit of vintage mojo without breaking the bank”: Fender Vintera II ’70s Jaguar review

A top-seller and player favorite, the Vintera series is back, and this charming Jag more than justifies a second run for the series

Guitar World

“There’s more grunge and garage attitude here. Things can get quite nasty – in a very good way”: Guild Surfliner Deluxe review

This new Deluxe version of Guild’s uber-cool offset format has been a long time coming. Worth the wait or has it gone off the boil? Let’s take a look…

Guitar World

“As a kid, I became fascinated: blues, banjo playing, English traditional music, Scots music”: How Martin Simpson is reworking trad Appalachian standards and turning them into folk guitar masterworks

The folk maestro’s latest record, Nothing But Green Willow, is a beautiful collection of songs from the Appalachian Mountains. Here he tells us how he breathed new life into them

Guitar World

“A stunning-looking guitar that covers pretty much any musical base”: Epiphone Joe Bonamassa 1963 SG Custom review

Epiphone’s collaboration with blues maestro Joe Bonamassa continues unabated, with this sexy take on one of JoBo’s own favourite axes. But is a grand and a half just too grand?

Guitar World

Dinosaural Cogmeister review – with three gain sections, can this triple threat cover all your dirt needs?

Designed by Dan Coggins of Lovetone fame, the Dinosaural name makes a welcome return – with all your boost and drive options in a single pedal

Guitar World

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Guitar World

“We can create sound with more freedom, while maintaining the original quality”: What is BOSS Waza Craft? The Japanese effects giant’s boutique range explained

If classic tones with custom voicings and enhanced functionality is what you’re after, in a package that’s built to the highest possible quality, Waza Craft is for you

Guitar World

Patrick James Eggle 96 Contour Top review – astonishing craft married to stellar sounds with a feel that few can match

Named after a state route in Georgia, the 96 is Patrick James Eggle’s now quite long-running answer to the souped-up Stratocaster. How does it fit into the empire?

Guitar World

ThorpyFX ER-2 Uni-Vibe review – the new standard for modern Uni-Vibe pedals?

Over five decades since Jimi Hendrix famously used one at Woodstock, ThorpyFX creates its dream Uni-Vibe

Guitar World

Fender California Series King Vintage review – This guitar is sure to cut through the noise of a busy open-mic night, and there’s an abundance of character in the tone

Fender’s regal dreadnought is a love letter to the company’s past, and might just be the big-voiced acoustic you need in your life

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Guitar World

Without a truss rod, your guitar would be a lot harder to play – here's everything you need to know, from the history of the truss rod to how to adjust it safely

We have Gibson's Thaddeus "Ted" McHugh to thank for truss rods, and a lot to be thankful for. They made the instrument ready for the steel-string era, more playable and more durable – and adjusting them isn't as scary as you might think

Guitar World

Fender Highway Series Parlor and Dreadnought review – Fender reinvents the acoustic once again… and the results took us by surprise

Following the success of Fender’s Acoustasonic series come two somewhat more traditional-looking electros. Packed with Fender/Fishman innovation, could they be even cooler?

Guitar World

“It’s hard to deliver a gig to a chest of drawers in your bedroom. You worry about technique, then the recording can sound clinical”: How British acoustic great Clive Carroll tackled John Renbourn classics – and the psychological hurdles of home recording

Carroll’s new double-album, The Abbott, sees him perform the late John Renbourn’s work – he explains why and how he did it, and offers an in-depth guide to performing Renbourn’s masterpieces

Guitar World

How the Ampeg Dan Armstrong may well have become a footnote in guitar history had the 'See-Through' electric not ended up in the hands of Keith Richards

Ronnie Wood, Joe Perry and Dave Grohl all played Dan Armstrongs over the years – here's why it's one of the coolest guitars ever

Guitar World

“It’s the most money I’ve ever paid for a guitar in my life: over $400,000. But what’s a Flying V worth? It’s worth what someone’s willing to pay for it”: Joe Bonamassa opens the gates to Nerdville and shows off the most prized guitars in his collection

Bonamassa welcomes us to Nerdville to share the stories behind some of his favorite guitars, including a mint ’58 Flying V, Tommy Bolin’s mythical 1960 Gibson Les Paul Standard and a tuxedo ES-355 that might, just might, be the only one in existence

Guitar World

Squier Sonic Stratocaster HT H review – single-humbucker Tom DeLonge vibe for under $200

Fender's new entry-level Squiers have been rebranded and refreshed as the Sonic Series, but is this hardtail humbucker-equipped Strat still the go-to electric for beginners?

Guitar World

“I was expecting to toss it into the pile of unsuccessful builds from the 1960s guitar boom. Boy howdy, was I wrong!”: Meet the Martin GT‑75 Moth – the iconic acoustic company’s 1967 semi-hollow electric experiment

An electric guitar from the venerable acoustic brand is a rare thing indeed, but then this was the ‘60s, Bob Dylan had just taken up a Stratocaster, and the times they were a-changing

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