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The Latest Breaking News from Marshall

“I started on guitar because I wanted to be in a band and meet girls. Richie wanted to be a guitar player, because he wanted to play guitar”: Adrian Smith and Richie Kotzen come from different worlds, but it all comes back to the blues

Returning with one of the hard-rock records of the year, the dynamic duo talk tone, collaboration, and the limits of technique and gear

Guitar World

“When I saw it, I couldn’t believe how cool it was”: Joe Satriani is selling one of his rarest guitars – an ultra-ambitious Ibanez Y2K Crystal Planet prototype

The elite shredder is selling off a bunch of pre-loved gear, including a stunning see-through version of his Ibanez signature guitar

Guitar World

"I believe I’ve got the last recording Jeff Beck ever did in the studios": Guitarist Mick Rogers thinks he's in possession of a piece of musical history

"Nothing came of it because Jeff was playing through his dodgy Marshall and didn’t like the sound,” he explains

MusicRadar

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“It’s a whole new generation in sound. There’s nothing lacking”: Alex Lifeson reveals the gear that has finally converted him to digital modeling

The Rush guitarist used digital sounds on his new album with Envy of None

Guitar World

“The three of us plugged into my Marshall, passing the cord around. The one thing Eric said to me was, ‘Wow, there is so much gain!’” Joe Satriani on reuniting with Eric Johnson and Steve Vai and the devil in the detail of Eddie Van Halen's playing

He has the G3 tour, the Best of All Worlds Tour, an album with old friend Steve Vai and the Satch/Vai tour incoming, but somehow Satch found time to check in with GW to talk tone, Van Halen and the danger in Jeff Beck's performances

Guitar World

“People had warned me how Ritchie chewed up and spat out musicians. Rainbow had already auditioned 40 bass players!” From Ritchie Blackmore to Ozzy Osbourne, Bob Daisley has worked with rock’s heaviest heroes

For more than 30 years, bassist Bob Daisley laid the foundations on which some of the greatest rock and roll ever was built

Guitar World

“The X100 is very good at what it does – some might say even too good”: MXR Rockman X100 Analog Tone Processor Pedal review

The legendary Tom Scholz headphone amp and signal processor gets reborn in pedal form

Guitar World

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“A lot of Slayer riffs aren’t really for bass players – there’s just too many notes”: Slayer’s Tom Araya charts his incredible 4-string journey

From starting on a Paul McCartney Höfner ripoff to pioneering some of the heaviest metal ever committed to tape, Tom Araya admits he's no bass virtuoso… but he “can play fast sometimes”

Guitar World

“I’m about 85 or 90 percent there. But it’s that 10 percent that sets me off. I can’t knock out those old solos as smooth as I used to”: Ace Frehley is practicing more than ever as he keeps his demons behind him and returns to arenas

The Spaceman on his most recent solo album – which won’t be his last – his self-designed $200,000 studio, the state of play with his former Kiss colleagues, and his family connection to an object on the Moon

Guitar World

“Whether you’re an AC/DC fan or not, there are some classic tones to be found within this little box of rock”: Crazy Tube Circuits Heatseeker review

A one-box recreation of Angus Young’s AC/DC guitar sound for those about to rock

Guitar World

“It must have been a big shock when little Peavey in Mississippi got the biggest guitar hero out there. But Ed just appreciated the quality of craftsmanship”: The story of Peavey and its era-defining Van Halen collaborations – and why they came to an end

Peavey CEO Courtland Gray looks back at the firm’s decades of boundary-pushing products, and what sets the company apart from Fender and Marshall

Guitar World

“Delivers uber-satisfying edge of breakup tube saturation that won’t annoy your neighbors”: Marshall DSL1CR review

Is there still a place for 1-watt tube amps in the modern age of modeling? I got hands-on with the DSL1CR to find out

Guitar World

“This combo could be a contender for the loudest, smallest amp… and it held its own against our loud rhythm section”: Orange O Tone 40 review

What’s loud, light and orange? The latest solid-state and affordable combo from Orange

Guitar World

“These $99 pedals are excellent not only for their price, but also their sounds”: Keeley x Sweetwater Soft Reverb, Super Bass Overdrive And Distortion and Suns Ultravoid Fuzz review

Three all-American boutique pedals, at under $100 a pop. Too good to be true?

Guitar World

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Guitar World

“It was under my dad’s bed when I was a kid. When it slid out from underneath the bed… it was like the heavens were opening up”: How Zakk Wylde’s sparring partner Dario Lorina started a new chapter – with the help of a holy grail Les Paul

Dario Lorina – who has split Black Label Society’s guitar duties with Zakk Wylde since 2014 – delivers some serious fuel-injected moto-metal fury on Dark Chapel’s Spirit in the Glass

Guitar World

“Copying the people you admire is a healthy thing to do – it teaches you to get inside what they do, then you can take it from there”: Eric Johnson on his G3 reunion with Joe Satriani and Steve Vai – and why the limits of guitar have yet to be reached

We catch up with the maestro to talk all things G3, formative influences, hollow-body Strat designs, and what he has to learn from Wes Montgomery after all these years

Top News

NFL Prospect Mike Green Transfers After Sexual Assault Accusations

Learn about NFL draft prospect Mike Green's journey from UVA to Marshall amid sexual assault allegations and his impressive on-field performance.

Guitar World

“It might not be the ‘Marshall sound’ your grandad loves, but for those who revere the harder-edged sound Marshall brought us in the ’90s, it hits the spot”: Marshall Studio 900 head and combo review

A sometimes-overlooked Marshall from the ’90s is the latest to get the Studio shrinkage treatment

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MusicRadar

“It was my first lead vocal. I was nervous. I sang it lying on my back. I still don’t know how I did it without singing from my diaphragm”: How a great rock guitarist finally proved himself as a singer

And he did it with a song about his own near-death experience!

Guitar World

“I left it in my car for 30 minutes, went to check on it, and it was already gone. Man, I must have cried for a week”: Andy Timmons on the agony of guitar thefts, his “birth-week” Strat, and his search for the ultimate single coil

The Ibanez signature artist discusses a life in gear, admitting that he doesn’t know what he’s going to do with his Marshall JTM45 but he will get around to using it, and why you've got to try before you buy

MusicRadar

“There was a full moon and the curtains were open. Every time I looked up for ideas, I looked at the moon”: How teen prodigy Kate Bush created her timeless classic Wuthering Heights

“Those shrieks and warbles are beauty beyond belief,”said John Lydon

Marshall’s Bluetooth speaker goes green while its earbuds get the cream

Marshall's Emberton III and Minor IV get a makeover.

MusicRadar

“Kiss just had an attitude back then. The four of us were so different, but when we got together it was magic!”: How lead guitarist Ace Frehley wrote and recorded his first classic Kiss song

“It’s all about the tone,” Ace says

Guitar World

“I stand directly in front of a giant Marshall stack and play so loud. You let it get a little out of control… That’s how we get it super-big and gnarly”: Meet mercury, the wall-of-sound indie-rockers teetering on the edge of chaos

Tennessee alt-rock experimentalist Maddie Kerr writes on acoustic before piling up the pedals on her partscaster – but a cranked-up Marshall is the key to her “out of control” sound

Guitar World

“I managed to stay behind at The Marquee when everyone had gone home. I asked him, ‘How do you get that sound?’ He said, ‘Well, it’s easy...’” In 1969, a young Brian May hid in a venue to speak to Rory Gallagher –and it led to his tonal breakthrough

The Irish blues rock legend gave May a tonal template that he says he’s never bettered

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