“I always wanted to have hit singles. I thought the hit single was the highest manifestation of rock as an art form”: Marshall Crenshaw on his Karen Carpenter tribute, why collecting is “infantile” and how he was made in Detroit
From the Hellhole collects deep cuts and EP tracks from the ’10s and it presents a unique insight into an artist who believes FM ruined radio– and who would do as many takes as it took
Guitar World ·