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The Latest Breaking News from King Crimson

“The biggest challenge was not to come off like Tenacious D. It could easily be interpreted as some form of parody”: How Primus made an album about goblins and rainbows while trying not to mention goblins and rainbows

2017’s The Desaturating Seven was Les Claypool’s bid to explore the darkness of a 1970s children’s story, harnessing the influences of King Crimson, Tool and Sean Lennon

Louder

“I subsequently became the world’s most famous guitarist with The Police. I wanted to play with somebody else to see how I’d do, like an experiment on myself”: At the height of his ’80s success, Andy Summers needed a challenge – he found Robert Fripp

As Summers’ and Fripp’s avant-garde albums of the 80s are reissued, we hear all about how the side-project came to be – and whether it could happen again

Guitar World

"Come up to the bedroom now, honey!" Things get steamy in the Fripp-Willcox kitchen as Robert and Toyah tackle Rod Stewart's Do Ya Think I'm Sexy?

The Fripp-Willcox cover of Rod Stewart's classic features a rare lead vocal from Robert Fripp

Louder

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King Crimson's Jakko M. Jakszyk announces his new solo album will be released in June

King Crimson vocalist and guitarist Jakko Jakszyk's new solo album, Son Of Glen, is a compaion piece ot his acclaimed autobiography

Louder

“He was riding a bicycle on stage. I had my camera on a tripod and, gee, what a coincidence – almost every night he’d knock it over!” Tony Levin on the differences between Peter Gabriel and Robert Fripp

Veteran bassist Tony Levin, who met Peter Gabriel and Robert Fripp on the same day in 1976, compares and contrasts the two band leaders

Louder

“I wasn’t into King Crimson at all. Definitely not my kind of music”: How Andy Summers formed one of the 1980s’ most unlikely guitar partnerships with Robert Fripp – despite not being especially keen on some of his work

The worlds of stadium rock and prog came together for a time in the early 1980s, when The Police and King Crimson guitarists teamed up for a handful of avant-garde records

Guitar World

“With deference to everybody in Beat, my function is to amuse myself and hopefully you. I can’t do music from 45 years ago”: Why Bill Bruford demoted himself from the King Crimson, Yes and Genesis league

Bill Bruford retired in 2009 and later sold most of his equipment to Tool’s Danny Carey. Then he found he wasn’t finished on stage – and he’s come back re-energised

Louder

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“Every record was a battle… I was listening, like, ‘This is amazing!’ but Robert Fripp was reliving the pain and trying to find his way through that”: What Steven Wilson learned from remixing King Crimson

Admitting that arrogance played a role in accepting the challenge, Wilson was left with an even greater appreciation of Fripp’s achievements

Louder

“I used really weird things like the Tristan chord and the Prometheus chord to give some of the songs a mystical vibe”: With the return of Mike Portnoy, Dream Theater are fully reborn – and John Petrucci's still not done exploring new guitar frontiers

Wielding naught but his signature Ernie Ball Music Man Majesty, Petrucci has been studying different types of scales and different types of chords – and he says having Portnoy back on the drum stool makes the prog-metal institution feel like they're all 18 again

Guitar World

"It's got the filthiest tenor saxophone solo ever." Blur guitarist Graham Coxon reveals the prog rock song that changed his life

Blur guitarist Graham Coxon was a progressive rock fan as a teenager, and one song in particular captured his imagination

Louder

“I don’t think he ever got over being fired from King Crimson… but he went on to bigger, more financially successful things”: Peter Sinfield, the prog poet who gave voices to ELP, Roxy Music and many others

Lyricist, art director, producer and all-round creative who aimed to enlighten, provoke or stir died in November 2024 without being fully aware of what he’d achieved

Louder

“It is beautiful... it’s clean and it works great, and it does everything I need”: Steve Vai shows us just what’s needed to play ‘80s King Crimson as he offers tour of his custom-built BEAT rig

If the Fractal Axe-Fx III is doing the heavy lifting for the effects, Vai's indomitable tech, Doug MacArthur is the power behind the tone

MusicRadar

Jamie Muir obituary

Percussionist best known for his work with King Crimson and his delight in exploring the boundaries of improvisation

The Guardian - UK

Watch Toyah Willcox run her fingers seductively through Robert Fripp's hair as they perform Blondie's One Way Or Another

Warning: Includes bonus footage

Louder

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“Peter Gabriel started singing over my solos. I was pissed off – ‘You’re singing on my bit!’ But that half-minute is probably our peak”: How Genesis made Supper’s Ready, arguably their greatest song

The band believe it’s the moment they began to become significant – and the construction of the 23-minute anthem for 1972’s Foxtrot was itself an epic experience

Louder

"He was such an interesting man. A funny combination of intensity and craziness." King Crimson's Jamie Muir remembered...

King Crimson biographer and Prog writer Sid Smith pays tribute to percussionist Jamie Muir, who died this weekend, aged 821

Louder

King Crimson percussionist Jamie Muir has died aged 82

Jamie Muir, who featured on King Crimson's Lark's Tongues In Aspic before leaving to become a Buddhist monk, has died

MusicRadar

“Jesus, that was hard! But I got it. I welcome the challenges”: Guitar hero Steve Vai reveals the difficulties of playing King Crimson music - and how he gets by with a little help from Robert Fripp

“I’m a fan and want to play the exact notes,” Vai says

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Former King Crimson bassist Peter Giles now a gold medal-winning athlete at the age of 80

How former Giles, Giles & Fripp and King Crimson bass player Peter Giles became a gold medal-winning athlete

Louder

“Almost overnight after the Sex Pistols, prog rock came to a halt”: 1977 was the supposedly the year punk killed prog. The truth is very different

Exploding the myth that progressive rock’s ‘dinosaurs’were finished off by punk

Louder

“She blends her beloved characteristics with those of King Crimson, Genesis and Porcupine Tree”: Tori Amos’ From The Choirgirl Hotel is prog in its truest sense

1996 album opens with arguably her proggiest song then delivers figurative lyrics, rhythmic shifts and style change-ups

Louder

Steven Wilson's return to the prog fold features on the front cover of the new issue of Prog Magazine, which is on sale now!

Plus Bill Bruford, Dream Theater, Readers' Poll Results, Jon Camp, Neal Morse, Mogwai, Tiger Moth Tales, White Willow, Matt Berry, Marko Hietala, Ritual and loads more

Louder

Celebrating 50 years of Iron Maiden with exclusive all-new interviews - only in the new issue of Classic Rock

Also in this issue: Larkin Poe, Gillan, Manic Street Preachers, Thin Lizzy, The Pogues, King Crimson, The Knack, Ricky Warwick, Shaman's Harvest, Brian Fallon, Von Hertzen Brothers and more

Guitar World

“There was no way we would cancel the gig, but there were no guitars, amps, pedals, or anything. How am I going to make the show work for Steve Vai?” When Steve Vai’s gear got lost in transit, his tech stepped in to save the day

Incredibly, Doug MacArthur sourced a full live rig in just four hours so the show could go on

Louder

Andy Summers and Robert Fripp's Complete Works 1981-1984 to be released in March

The four-disc Andy Summers and Robert Fripp's Complete Works 1981-1984 features previously unreleased material and new mixes

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