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The Latest Breaking News from Guitarist

“I went in there and I was like, ‘I need a really good fuzz.’ And they had this pedal there”: Myles Kennedy names the “secret sauce” stompbox he thinks every guitar player should own

The Alter Bridge icon used the sub-$200 octave fuzz pedal on his recent solo record

Guitar World

“When you start with a crappy guitar it gives you a level of appreciation because you started with humble beginnings”: Kenny Wayne Shepherd on why starting out with a budget guitar is the best way to go

Shepherd now plays some of the most desirable boutique gear money can buy, but his own personal guitar journey started with a cheap Yamaha

Guitar World

“What we have in common is that we don’t shred for the sake of it. In my case, it’s because I can’t!” Brian May on his unlikely guitar kinsmanship with Steve Cropper and Billy Gibbons

Recruited for the recent Cropper tune Too Much Stress, May says the three masters fit together better than you might think

Guitar World

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“I took the neck off my Strat, put it on a Tele, and ended up with my ‘FrankenTele’”: Steve Morse modded the heck out of his first serious guitar, and it became the blueprint for his signature Ernie Ball Music Man model

Unsatisfied with the limitations of his first proper guitar, Morse took matters into his own hands, a lá Eddie Van Halen

Guitar World

“What a ride…” Guitar Techniques magazine is closing after 30 years of in-depth tuition from some of the world’s greatest guitarists

The last issue of Guitar Techniques goes on sale this week, after 30 years of publishing. Read Editor Jason Sidwell's final editorial letter

Guitar World

“I doubt there’s going to be another Jimi Hendrix, Jimmy Page or Eddie Van Halen”: Joe Perry on why the age of the guitar hero might be over – even though the instrument still has a bright future

Perry is confident there's more to explore on the fretboard and players will continue to push the boundaries of guitar music – but the individual feats of guitarists might not be viewed in quite the same way

Guitar World

“Jimmy Page was in the control room window, waving madly. I was in the middle of the solo, and I thought, ‘Sorry, but I can’t stop.’ I just turned my back”: Martin Barre on the time Jimmy Page nearly cut him off mid-Aqualung solo

“I think it was take two,” the Jethro Tull guitarist recalled, “and if I hadn’t got it in two then it would have been a flute solo”

Guitar World

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“It feels a bit wrong to play it. But I don't think anyone who has a guitar that they love would want it to never be played after their death”: Fontaines D.C. guitarist Carlos O'Connell reacts to playing Rory Gallagher's prized guitars

O'Connell also tries out Gallagher's 1959 Silvertone, 1963 Epiphone Coronet and 1968 Martin D-35 ahead of the much talked-about auction

Guitar World

The best magazine covers of all time: Our experts decide

With the help of experts in the field, we pick the most outstanding and effective magazine covers ever published.

Creative Bloq

“If you can’t play, you’ll find a pedal and you’ll cheat”: Dave Mustaine says guitarists should learn how to play before stocking up their pedalboards

The Megadeth frontman’s gear-buying advice boils down to one thing only

MusicRadar

“Bearing in mind the colossal success of The Police, isn’t it odd that no-one has ever surfaced to say, ‘By the way, I modded that guitar?’” Investigating the mystery mods of Andy Summers’ mongrel Telecaster

Plenty of modded or self-built guitars have powered the careers of big players. But the origins of one heavily used guitar remain a mystery… Guitarist puts grizzled detective Dave Burrluck on the case...

Guitar World

“I saw a kid holding that guitar out for me to sign it. But the train was already moving… I’m thinking, ‘Man, I gotta get the kid’s number to see if I could buy it back’”: Joe Perry on the one guitar he regrets selling

It's not a rare vintage instrument by any means, but for Perry, the sentimental value of the long-gone guitar is priceless

Guitar World

“It must have taken two weeks of tweaking to wrestle that thing to the point where it would stay in tune”: Joe Satriani called on Eddie Van Halen’s techs to figure out how to make his Frankenstein playable

Satch eventually put his own spin on the iconic axe, but it took him a while to wrap his head around a guitar that he initially struggled to keep in tune

Guitar World

“If somebody said there was a valve amp in the room, you wouldn’t contradict that”: Discover BOSS’ Katana Gen 3 range – an upgraded amp family that offers something for every player

The latest evolution of BOSS’ award-winning amp collection gets put to the test in Guitarist’s new Tone Lounge episode

Guitar World

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Guitar World

“It’s got the fattest neck Jackson has ever made… I said, ‘Am I going to be able to play this thing?’” Jackson has made Phil Collen a Tele-style model with a neck twice as thick as a regular guitar’s – and a signature version could be in the pipeline

The Def Leppard guitarist has remained loyal to Strat-style models for much of his career, but he's developed a new affinity for single-cuts

Guitar World

“I learned very early on, if you play really loud, then stop suddenly, everybody’s words are hanging in the air”: Ani DiFranco on how playing in bars shaped her percussive playing style – and taught her how to grab a noisy audience's attention

In a new interview with Guitarist, DiFranco also talked about exploring vintage guitars, and how this journey led her to Gibson

Guitar World

“He said, ‘Take this cassette home and see if you can come up with something.’ I plugged the Destroyer straight into the Marshall and that’s what came out”: Phil Collen's first Def Leppard solo is one of his most famous – and he did it in one take

Recruited by Def Leppard in 1982, Collen was put straight to work on Pyromania, and contributed a rather notable lead effort he nailed in one go

Guitar World

“He had an incredibly clean technique, which was very, very rare. I’ve never found it in any other guitar player”: Alan Parsons on why late Project and Kate Bush guitarist Ian Bairnson was unlike any guitarist he’d ever encountered

Parsons played alongside Bairnson as part of the Alan Parsons Project, and witnessed the late session legend's flawless technique up close

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Guitar World

Roxie has toured with the best. He explains why you need more than fancy chops to make it as a touring musician

Guitar World

“It was in quite a parlous state… Scott’s blood was on there – his physical remnants were on the guitar”: Richard Hawley on how he came to own Scott Walker’s Fender Telecaster

Hawley recalls the Pulp recording session that served as the catalyst to him and Walker's friendship

Guitar World

“A guitar from that dark period when the single-cut Les Paul was discontinued”: Is this oddball ’60s electric the weirdest custom model Gibson has ever created? Gibson’s archive curator sure thinks so

The guitar – reportedly admired by Billy Gibbons – was built in 1966 for Torpedo Joe, and is said to be one of the strangest custom models Gibson has crafted

Guitar World

“He went straight for that Les Paul. He closes the lid and goes, ‘That’s my guitar now’”: Scott Gorham nearly lost his 'Holy Grail' 1957 Gibson Les Paul to a customs officer just after he bought it – and he had to go to court to get it back

The Thin Lizzy guitarist bought the vintage guitar while in Boston with the band, but ran into a few issues when trying to take it overseas

Guitar World

“This guy was just up on stage playing guitar behind his neck and now he’s barely even talking to me”: Junior Marvin saw Jimi Hendrix blow away the Beatles at a London club show – but says the guitar hero was too shy to speak to him

The Bob Marley and The Wailers guitarist says Hendrix was “like two different people” on and offstage

Guitar World

“Nick’s knowledgeable depth, thoroughness and fairness in his reviews earned him a distinguished position as a true authority”: Remembering Nick Guppy, Guitarist magazine’s guitar amp guru

Mesa/Boogie, Bad Cat, Blackstar, Boss and more pay tribute to longtime Guitarist writer Nick Guppy, who died suddenly in April

Guitar World

“I got home, called Stevie and said, ‘I’m so sorry, but I’ve just been offered a job with Bob Marley’”: Junior Marvin recalls landing gigs with Stevie Wonder and Bob Marley on the same day – and how he was forced to make a life-changing decision

Although Wonder was offering a decade-long contract, Marley's camp had their eye on Marvin for over a year before the initial meeting was made

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