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The Latest Breaking News from Gibson

“One of my favorite moments”: That time Eric Johnson shredded a custom Dean V – which had been built for Dave Mustaine to use on the Experience Hendrix tour

The custom axe nods to one of Hendrix’s most iconic guitars and was used by the Megadeth frontman on the Experience Hendrix tour

Guitar World

I’ve spent a month rocking with the CRKD Gibson Les Paul Guitar Controller and it's taken me back to the golden era of rhythm games

The CRKD Gibson Les Paul Guitar Controller is a modern version of the Guitar Hero controllers of old, and it nails it

TechRadar

“It’s taken 3 years, but a more affordable spin-off of one of the 21st century’s most advanced guitar designs has finally landed”: All the new guitar gear that has caught my eye this week – including the most extravagant acoustic you will see all year

A $99,999 SJ-200, two Randy Rhoads tributes, and some visionary electrics from Ibanez – here are all the gear launches that you might have missed from the past seven days

Guitar World

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“It was a major step up for me. I still pull it out from time to time at home – it’s a bit of a lost classic in the Gibson range”: Zakk Wylde on the miracle of his ‘Grail’ Les Paul and the three most important guitars in his life

The longtime Ozzy guitarist and Black Label Society frontman on why you should hold onto your childhood gear, how he got into Les Pauls and active pickups, and the making of his iconic Grail

Guitar World

“The ultimate Gibson acoustic to date”: Gibson spares no expense to celebrate its 100th Monarch SJ-200 – a one-of-one Brazilian rosewood build that costs $99,999

Gibson’s Custom Shop pushes its artistry to the limit to set “a new benchmark in craftsmanship”

Guitar World

“Crafted from 1.2oz of solid 18K gold, the hand-engraved crown is set with nine natural diamonds”: Gibson gives the “King of the Flat-Tops” a whole new meaning with the release of the $99,999 SJ-200 Monarch #100 Brazilian Rosewood

Gibson just made its 100th Monarch and this one-of-one jumbo has real gold binding and hardware, actual diamonds, and it might just be the most opulent acoustic guitar it – or anyone – has made

MusicRadar

"Back then, I was pretty much a nobody, so Gibson sold it to me at cost!" Slash's 5 most iconic guitars, in his own words

Slash talks through his most significant guitars in his own words – plus we tell you how to nail his iconic tone at home at various price points

Guitar World

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“I’m thinking, ‘I’m in trouble now…’ And then, Dickey goes, ‘No.’ I go, ‘What do you mean?’ ‘That’s not the good one. Go in the bedroom and grab the good one’”: Tesla’s Frank Hannon on borrowing one of Dickey Betts’ prized Gibson SGs

Betts gave his son-in-law, Frank Hannon, the opportunity to borrow – and keep – the prototype of his “From One Brother to Another” signature SG

Guitar World

“It just went off into the universe and it left us thinking, where did it go?” The hunt for Paul McCartney’s stolen Höfner bass was one of music’s biggest mysteries – and now they are making a documentary about it

The Beatle And The Bass chronicles The Lost Bass Project's search for McCartney's Höfner, which had been missing for over 50 years

MusicRadar

“I plugged my guitar in, and it was just like instant feedback”: John McLaughlin on how his jam with Jimi Hendrix ended in “disaster”

McLaughlin has fond recollections of meeting Hendrix, even if his legendary 1969 Record Plant jam did not go to plan

MusicRadar

“It was a bit of a disaster. I plugged my guitar in, and it was instant feedback”: John McLaughlin remembers his nightmare jam session with Jimi Hendrix – when he was forced to play acoustic

He found himself in the right place at the right time to jam with one of the world’s greatest guitarists – but his gear let him down

Guitar World

“If you bring in some cheese, I might trade you one of the guitars on the wall”: Spinal Tap’s Nigel Tufnel has been running a cheese shop where guitars can be used as currency

Cheddar for Charvels? Gouda for Gibsons? Tufnel has introduced a rather interesting bartering system...

Guitar World

“I didn't want to put it down. I've missed it ever since!” Jake E. Lee played Kirk Hammett’s legendary Greeny Les Paul backstage at Ozzy Osbourne’s final show – but he almost wishes he hadn’t

Lee was able to enjoy some downtime with the iconic Les Paul before taking to the stage with a mysterious purple Charvel

Guitar World

“A good guitar solo should sound like an orgasm. I can hear it in Eddie Van Halen’s playing, and Jimi Hendrix. I live for the juicy notes”: Carlos Santana on playing like a soul singer and his visitations from B.B. King, Miles Davis and Stevie Ray Vaughan

Single-cuts are like merlot, solos are like grapefruit… the inimitable, peerless Carlos Santana shares stories from his legendary career and insights from the cosmos

Guitar World

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Guitar World

“It was a Facebook marketplace find. By the time we were done, I kept finding more and more”: Gibson’s Certified Vintage manager on his most memorable guitar safari discovery (and it wasn’t a guitar)

Mitch Conrad paid a visit to a guitar fan who was in the possession of a vintage Gibson SG – but ended up finding more than he bargained for

Guitar World

“I always wanted a Les Paul but I couldn’t play them”: Tony Iommi on why he never became a Les Paul player – despite wanting to become one

The Black Sabbath riff lord made the reveal at the launch of his newly revived signature Gibson humbuckers

Guitar World

“Watching Tony Iommi play Iron Man to demo his signature pickup in person was a borderline biblical experience”: All the new guitar gear that caught my eye this week – and is that a new Epiphone double-neck?

New launches from Boss, PRS, Fender and Third Man Hardware headline the biggest guitar gear drops this week

Guitar World

“Theory C: it’s a scoop knob... they built James’ parametric EQ into the amp”: Metallica spark a Mesa/Boogie mystery as unidentified amp spotted in 50th Anniversary message to ESP Guitars. Could this be a James Hetfield signature?

Speculation surrounding this unidentified chugging object has been ongoing since 2017 when it was spotted in Metallica's studio

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MusicRadar

“I had no way to play Hotel California live. I played so many guitar tracks on that song”: Don Felder on why he had to mod his white Gibson doubleneck to play the Eagles’ biggest hit – and how he got the idea from Chet Atkins

What do you do when a standard doubleneck is just not enough?

Guitar World

“It suffered a broken headstock, was completely refinished, refretted and had P-90s replaced with humbuckers”: Untangling the history of Jeff Beck’s Oxblood Les Paul, the most expensive Gibson Les Paul ever sold at auction

Will we ever know the true story of this fabled guitar? For some it’s iconic, for others it was simply a cobbled-together working tool for a master

Guitar World

"Somebody stole it from the hotel. Then Gibson made another one, and somebody stole that as well! I couldn't believe it": Tony Iommi on the time two of his prized early Gibson SGs went missing

Iommi reminisced about his long-lost Gibsons at an event celebrating the relaunch of the Tony Iommi humbucker

Metal Hammer

"He's the Bach, Beethoven, and Mozart of the riff": Gibson salutes Tony Iommi in star-studded new film series

Iommi: The Godfather Of Heavy Metal features interviews with Brian May, Slash, Dave Mustaine, Kirk Hammett, Scott Ian and more

Guitar World

“They were getting pretty hard to find!” Gibson has re-launched its first ever signature pickup – the Tony Iommi humbucker

The resurrected 'bucker is designed to help guitarists emulate the mighty, distorted rumble of the metal godfather's tone, without descending into overcooked, blown-out mush

MusicRadar

“I was blown away with the distinct Tony Iommi and Black Sabbath sound I was able to get out of them”: Gibson goes back to the beginning, reissuing its first-ever signature pickup, the Tony Iommi humbucker

Is this the power-up your riffing has been waiting for? The Godfather of Heavy Metal's signature pickup makes a comeback

Guitar World

“A lot of the music stores didn’t want to touch used instruments back then. They would laugh at me and say, ‘You’re paying more for this old guitar than I am for this new guitar’”: Norman Harris on the nascent days of the vintage guitar market

Harris turned the used guitar market on its head, despite the skepticism of many industry peers

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