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ANAHEIM, Calif. — Actress Mallori Johnson first encountered the work of writer Octavia Butler when she read “Fledgling,” a novel about a young Black vampire. It was the summer before she left home for the Julliard School in New York City.

Sitcom will inspire new attempt from ‘Atlanta’ writer

Atlanta writer Stefani Robinson is taking charge of another effort to remake the British comedy but with two female leads

In the FX series “Fleishman Is in Trouble” (on Hulu) adapted from the novel by Taffy Brodesser-Akner, a doctor in New York City named Toby Fleishman sees his life as a husband and father upended by divorce. Then his ex drops off their two kids a day earlier than planned…

Australians Milly Alcock and Murray Bartlett secure television nominations for the Critics Choice Awards with Abbott Elementary, Better call Saul and Gaslit also featuring.

‘I definitely wanted something to happen,’ actor said

Near the end of FX's TV adaptation of "Fleishman Is in Trouble," after the upscale lives of its privileged main characters have emerged from their slow-motion implosion, one character tells another character about the book she might write about the whole mess.

Donald Glover's "Atlanta" came to an end Thursday on FX, completing a four-season voyage of discovery into just what can be accomplished with a title, an adventurous crew and 41 episodes of television. Appropriately, it ends with an episode (unseen as of this writing) written by Glover and directed by…

In the ever-lengthening history of George Lopez sitcoms, the first time was a charm, the second and third not so much. The comedian’s much-loved “George Lopez” ran from 2002 to 2007 on ABC, followed by the deservedly short-lived “Saint George” on FX and the quite good, relatively modern “Lopez,” which…

An out of office episode sees our central three unlocking the fundamental lack that has driven them to Pierpoint – and finding nothing good – as the series lines up for a fantastic finale

The latest season returns to the '80s as well as using a person's sexual identity as the basis for horror