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The Latest Breaking News from David Lynch

Who was Angelo Badalamenti? US Twin Peaks composer dies aged 85

Badalamenti created famously haunting music accompaniment to many films directed by David Lynch

Evening Standard

Twin Peaks composer Angelo Badalamenti dies aged 85

US composer Angelo Badalamenti, best known for scoring Twin Peaks, has died at the age of 85, his family has confirmed.

Evening Standard

Angelo Badalamenti, Twin Peaks and Blue Velvet composer, dead at 85

Badalamenti also dabbled in music away from film and TV, working with The Pet Shop Boys, David Bowie, Anthrax, Nina Simone and more.

ABC News

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‘Twin Peaks' composer Angelo Badalamenti dies at 85

Angelo Badalamenti, the composer best known for creating otherworldly scores for many David Lynch productions, from “Blue Velvet” and “Twin Peaks” to “Mulholland Drive,” has died

The Independent UK

Twin Peaks composer Angelo Badalamenti dies at the age of 85

Badalamenti won a Grammy award in 1990 for the evocative soundtrack, and worked closely with the popular series’ director David Lynch.

The Independent UK

Angelo Badalamenti, David Lynch’s composer on Twin Peaks, Blue Velvet and more, dies aged 85

Musician collaborated with Lynch on multiple projects and albums, and also worked with the likes of Paul McCartney, David Bowie and Nina Simone

The Guardian - AU

Angelo Badalamenti, ‘Twin Peaks’ composer and David Lynch collaborator, dead at 85

Angelo Badalamenti, the composer and David Lynch collaborator best known for scoring “Twin Peaks,” “Wild at Heart” and “Blue Velvet,” has died. He was 85.

Los Angeles Times

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Twin Peaks theme song composer Angelo Badalamenti dies as fans pay tribute

Angelo Badalamenti, famous for his work on the Twin Peaks soundtrack, has died aged 85. The composer's death follows the passing of another Twin Peaks music legend earlier this year

Daily Mirror

The 'greatest film of all time': Chantal Akerman's win shows a generational shift is taking place among critics and filmmakers

Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles – Chantal Akerman’s 1975 hypnotic study of a mother performing domestic chores in microscopic detail – has just been crowned the “greatest film of all time” in Sight and Sound’s prestigious poll.

The Conversation

Sight and Sound’s Greatest Films of All Time poll: The 2022 results are in – and there’s a new winner

Alfred Hitchcock’s ‘Vertigo’ was pushed into second place

The Independent UK

Lynch/Oz review – curtains pull back to reveal the wizard that is David Lynch

How the auteur was influenced by 1939 classic The Wizard of Oz is examined in witty and insightful expert contributions curated by Alexandre O Philippe

The Guardian - UK

TV tonight: backstage revelations with RuPaul’s UK drag queens on tour

The stars of Drag Race UK series two open up to the camera between gigs. Plus: a royal restoration project brings a jobs boost. Here’s what to watch tonight

The Guardian - UK

The Batman to Last Christmas: the seven best films to watch on TV this week

Robert Pattinson stars in one of the best superhero movies of the year, while Paul Feig’s festive treat inspired by Wham! will make Christmas come early

The Guardian - UK

The best free PC games

Our frequently updated selection of the best free games right now.

PC Gamer

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The Guardian - UK

‘I visited a dominatrix club where customers were used as tables’ – Patricia Arquette on making Lost Highway

The shooting of David Lynch’s neo-noir classic is recalled by Bill Pullman and Arquette, who had to watch many of her scenes through her fingers

The Independent UK

The 40 greatest film soundtracks, from Black Panther to Trainspotting

Before ‘The Greatest Showman’ or ‘A Star is Born’, there have been scores that have become etched into the cultural zeitgeist because they captured moments that spoke to us long after the final credits roll. Roisin O’Connor picks the best

The Independent UK

I Love You, You Hate Me: Why did so many people want to murder Barney the Dinosaur?

As a new documentary explores how the Nineties fixture became the world’s most despised T rex, Eloise Hendy asks why so many children’s TV heroes become distorted by the internet hate machine

Evening Standard

Sky Ferreira: “I was desperate. Miserable. I got down on my knees”

Poised for a comeback years in the making, Sky Ferreira tells Susannah Butter how creating music has always been an ordeal and why she’s ready to make her 30s better than her troubled 20s

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ABC News

Blonde: Ana de Armas plays victimised Marilyn Monroe in Andrew Dominik’s long-awaited, Netflix-backed take on the Hollywood starlet

Blonde, based on Joyce Carol Oates's fictionalised interpretation of the star’s tragic life, is the first movie due for release on a streaming service slapped with the NC-17 rating.

Chicago Sun-Times

Brad Lynch, award-winning Chicago architect, dies at 64

The outgoing and avuncular Lynch was first drawn to Chicago in 1967 when he visited the city from his home in Wisconsin to see the Picasso sculpture.

The Orange County Register

How ’80s horror films inspired Antoine Maillard’s graphic novel ‘Slash Them All’

As a young boy, French-born illustrator Antoine Maillard spent his weekends at the local video store. He’d search the racks for his favorite genre of movies, which included a variety of American horror and slasher flicks from the ’70s, ’80s and ’90s.

The Independent UK

A big break comes with a big task: Playing Steven Spielberg

What’s more intimidating than being a young actor cast in a Steven Spielberg movie

Inverse

30 years ago, David Lynch’s biggest flop redefined the crime thriller movie

'Twin Peaks: Fire Walk With Me' rewound the clock on television's most iconic small town.

The Guardian - US

Twin Peaks: Fire Walk with Me at 30: David Lynch’s underrated masterwork

Critics were lukewarm upon release but the resulting decades have been kinder to the unsettling prequel that takes a look at the real Laura Palmer

The Independent UK

The 40 greatest film soundtracks, from Almost Famous to Black Panther

Before The Greatest Showman or A Star is Born, there have been scores that have become etched into the cultural zeitgeist because they captured moments that spoke to us long after the final credits roll. Roisin O’Connor picks the best

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