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The Latest Breaking News from Cliff Burton

"We were stupid kids, just trying to survive, with this really weird music that we were so stubborn about." How five chaos-addicted Californian misfits helped pave the way for the 90s rock revolution with their fabulously freaky debut record

Faith No More's Bill Gould looks back on the making of We Care A Lot, his band's thrillingly unhinged debut album, now celebrating its 40th birthday

Metal Hammer

“Our manager basically kicked us out of his house. We were supposed to go to Europe for the first time, and our gear had gotten stolen”: How Metallica turned tragedy into Fade To Black – the acoustic epic that put the elitists in their place

Inspired by the time Metallica’s gear was pinched, Fade To Black threw the metal scene into an uproar – but the band had the last laugh

Metal Hammer

"I went to a party in San Francisco...there were all these freaks shooting up and this girl was real sick." How Metallica wrote their most iconic anthem - and how Stranger Things made it relevant to a whole new generation over three decades later

Metallica's most celebrated song helped define a generation of thrash metal and found new meaning decades later with a certain TV show

Metal Hammer

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“Even though Dave might claim that he wrote Leper Messiah, he didn’t”: The story of every song Dave Mustaine co-wrote for Metallica – and what Megadeth did with those riffs

From The Four Horsemen to The Call Of Ktulu, this is everything you need to know about the six (maybe seven) Metallica songs with Dave Mustaine’s name on them

Metal Hammer

“Lars has a thing that every time they’ve done an album, he comes and plays it to me, and hopes that I nod and say, ‘That’s a good lad’. I said, ’You forgot the bass!’“: Flemming Rasmussen is still confused by Metallica’s bassless ...And Justice For All

Part of it was to annoy Jason Newsted, producer speculates

MusicRadar

“Metallica is nearly equal to Ozzy in terms of the respect factor – not all the way, but nearly”: When Jason Newsted swapped bands with Robert Trujillo

Why Jason Newsted got the call from Ozzy – and what lay in store for Robert Trujillo, who signed with Newsted’s old band, Metallica

Guitar World

Dan Campbell’s Plan After Losing Top Two Assistants Is to Be Like Metallica

Dan Campbell is not a one-man band.

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“Cliff played guitar as well as bass – I picked up a few things from him that ended up on Master of Puppets”: Before Robert Trujillo and Jason Newsted, Cliff Burton set the musical bar for Metallica and established an indelible legacy

Cliff Burton’s playing style may have been an offbeat fit for the cutting-edge thrash of Metallica, but it worked perfectly

Guitar World

“A personal crowning moment for me was having Lemmy ask me to play on a Motörhead record!” Alice in Chains’ Mike Inez on why Cliff Burton ruled, Paul McCartney's influence – and what John Entwistle told him (that he already knew)

Inez is a rock bass powerhouse, holding it down with AIC, Ozzy, Heart, guesting with Slash. Here he discusses a life in low-end and the evolution of his style

Guitar World

“We did get very wild and crazy at points. I remember thinking, ‘Why aren’t we getting arrested?’”: The violent, bloody birth of the Bay Area thrash scene

How a handful of kids from Northern California changed the world

Metal Hammer

More is all you need! Metallica’s Master Of Puppets has been streamed one billion times on Spotify

Master Of Puppets gets added to Spotify’s elite Billions Club, joining fellow Metallica hits Nothing Else Matters and Enter Sandman

Metal Hammer

“You have to fight to be heard in metal. But you have to give them something worth fighting for!” 20 metal bassists who took heavy bass playing in new directions

Featuring metal’s leading low-enders – from old-school thrash to modern metal

Guitar World

“There’s an art to simplicity, and Jason Newsted brought that art. Cliff Burton was more aggressive, and a busier player”: The bassists of Metallica

From Ron McGovney to Robert Trujillo, we trace the evolution of Metallica’s low-end sound

Guitar World

“A lot of Slayer riffs aren’t really for bass players – there’s just too many notes”: Slayer’s Tom Araya charts his incredible 4-string journey

From starting on a Paul McCartney Höfner ripoff to pioneering some of the heaviest metal ever committed to tape, Tom Araya admits he's no bass virtuoso… but he “can play fast sometimes”

Guitar World

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Metal Hammer

"We were all basket cases! But we created this thing called Metallica that’s been our refuge." Kirk Hammett on 40 years in one of the biggest bands in the world

Toxic masculinity, matriarchal societies, fights with bandmates, Metallica's future – Kirk Hammett tells all

Metal Hammer

"You can only be what the public thinks you are for so long before it becomes boring": The story of how Metallica got themselves an orchestra – and the album that followed

With Metallica’s S&M reaching the grand old age of 25, we look back at how, and why, the world’s leading metal band teamed up with – shock, horror – the San Francisco Symphony

Guitar World

“Cliff always wanted to play more than he should have, but we didn’t try to control him – we couldn’t”: How Cliff Burton’s bass masterpiece earned its place in the pantheon of great rock solos

Recorded for Metallica’s genre-sparking Kill ’Em All, Burton’s complex snarl of notes has captivated bassists for years. Dial in your favorite fuzz-wah tone and let it rip

Guitar World

“Please tell the bass players of the world to go easy on me. I did my best to represent you well!” Bob Rock made bass history on Metallica’s St. Anger – quite a feat, since he “never really played bass” before

Producer Bob Rock on making St. Anger, the legacy of Cliff Burton and why he used Loverboy’s bass guitar on every track

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Guitar World

“Jason and I were always battling for the same space in the mix”: The controversial mixing of Metallica’s …And Justice for All wasn’t a hazing of Jason Newsted. This is James Hetfield’s explanation

The band's first album with Newsted, ...And Justice for All was marked by the band's increasingly progressive and technically intricate bent – and barely audible bass parts

Guitar World

“I went to Lars’ house, and he played me the tape of Hit the Lights. I said, ‘This song sucks. You need more guitar solos’”: They forged a new sound, and in 10 years, they were the biggest band in the world

The story of Metallica's meteoric rise – as told by the people who were there, including Dave Mustaine, Scott Ian, Kerry King, Gary Holt, and, of course, Metallica themselves

Guitar World

“We never would have written guitar harmonies like that without Cliff Burton”: James Hetfield credits Metallica’s original bassist with expanding the band’s horizons

Cliff Burton’s breakneck metal riff laid down the gauntlet on thrash metal classic Battery

MusicRadar

“Cliff was the strongest of the four of us emotionally”: Lars Ulrich on how Metallica recovered from the death of bassist Cliff Burton

And how they chose Cliff’s replacement among 60 candidates

Metal Hammer

“We had a living, breathing Sex Pistol come in and play on it. He wanted $100 and some ‘suction’”: The insane story of Megadeth’s So Far, So Good… So What!, thrash metal’s most self-destructive album

Megadeth’s first two albums were thrash classics. And then they made So Far, So Good… So What! and the debauchery caught up with them

Metal Hammer

“Cliff still lives in all of us. I ask for his help still.” James Hetfield says that Cliff Burton still influences Metallica's songwriting, almost four decades on from the bassist's tragic death in 1986, aged 24

James Hetfield acknowledges that Cliff Burton's influence on Metallica will never die

Metal Hammer

“Bass solo, take one”: Watch Metallica’s new (Anesthesia) Pulling Teeth music video, featuring never-before-seen photos of Cliff Burton

The clip is promoting an online exhibition dedicated to the late bassist, hosted on the Metallica website

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