The Latest Breaking News from Christian Marclay

This exhibition asks whether art can diminish the human capacity for violence – but you might want to throttle someone after seeing this nonsense

In this week’s newsletter: To celebrate our 200th edition, we look back at the films, shows, albums and more that mattered most over the last 25 years

The Fitzwilliam museum re-examines its legacy and recycling found objects points toward the planet’s future – all in your weekly dispatch

As one door opens, another slams in our face in this thoroughly absorbing montage of film clips cleverly edited to derail, disorient and delight its viewer

Portraits by Freud, Rego and Himid come together and we go deep on a portrait of a Napoleonic battle – all in your weekly dispatch

His 24-hour clock made of movie clips was a sensation. Can Doors, a montage of screen stars entering and leaving rooms, beat it? The artist reveals how lockdown and our new age of anxiety pushed him to finish it

Tree Carr tells the fortunes of — and casts spells for — London’s elite. But can she cure Fleur Britten of a bad ex-boyfriend?

He creates endless loops, reconstituted vinyl records and some of the boldest, most creative film montage in the contemporary art world. Christian Marclay has been exploring sound, visuals, collage and reproduction for more than four decades, with multimedia installations, photographs, sound pieces and videos. He joins us as the Pompidou…

These film-makers treat other movies as public property in a collage film pondering the end of reality