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The Latest Breaking News from MusicRadar

“The breadth of control, countered with the joy of random probabilities, is simply fun”: ADDAC System 511 VC Stochastic Voltage Generator review

If you want happy accidents and repeatable madness galore, the 511 is the module for you

MusicRadar · Feb 25

It’s funny because it’s true: Soulseek is suddenly full to the brim of crazy Homer Simpson covers

All created via AI

MusicRadar · Feb 25

“I have never been to the Grammys in my life… it means less than nothing”: John Mellencamp isn’t impressed by awards

He plays the hits again this summer

MusicRadar · Feb 25

From analysis to the latest developments in health,
read the most diverse news in one place.

“I think Mick would be totally astonished that he’s still being talked about in such a positive way. This guitar just adds sparkle to an already legendary life”: Gibson unveils Murphy Lab replica of Mick Ronson’s Bowie-era 1968 Les Paul Custom

With the ebony finish stripped to reveal its two-piece plain maple top, mismatched controls, custom-wound pickups, this limited run reproduction is the spitting image of Ronson's original

MusicRadar · Feb 24

“I’m looking at this ‘hot chick’ who's got everything going on – or at least that’s what you think – and she wants the song about being Beautiful? How vain is that?”: How Christina Aguilera ended up recording a Linda Perry song that she's now reclaimed

"Christina, she’s not me, you know? And I’m not Christina"

MusicRadar · Feb 24

“The synths only let you play one note at a time, which was great as we couldn’t play chords anyway”: How Depeche Mode launched their career with one of the most important synth-pop records ever released

One of the band's biggest tunes marked the end of their first chapter, but became a springboard that would propel both them and its writer to legendary status

MusicRadar · Feb 24

“The beating human heart of those incredible men and women, the struggles and sacrifices they are making every day for the most sacred thing on this planet – freedom”: New U2 video features footage taken from behind the frontline in Ukraine

But new album contains “more songs of celebration than lamentation”

MusicRadar · Feb 24

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“I don’t think we’ll have to go out into the desert and take peyote and puke like we did in the old days – when we were the hip young LA cowboys”: How Don Henley and Glenn Frey remembered the Eagles’ wild years as they created the band’s swan song

“Certainly, we don’t want to fail. We’ve never really known much failure”

MusicRadar · Feb 24

"There's nothing quite like it": The singular genius of Laurie Spiegel's Music Mouse, with Eventide's Tony Agnello

40 years ago an idiosyncratic piece of software opened new doors for electronic music. Now Eventide has revitalised Spiegel’s classic Music Mouse instrument for a new generation

MusicRadar · Feb 24

“When you've been in a band you’re always, in the back of your head, thinking, 'Well, maybe this is it.' And I don't mind that feeling. I don't see it as a sad thing”: Mike Patton on feeling closure at the end of Faith No More

Band haven’t played live since 2016

MusicRadar · Feb 24

“He says, ‘Well, I've got it here,’ and he plays it. He gets Austin to sing it with him, so Austin and Sir Paul are doing an Elvis duet”: Uh-huh? Baz Luhrmann says that Paul McCartney convinced Austin Butler to sing an Elvis song with him on a train

They both had a ticket to ride, presumably (but we don't care)

MusicRadar · Feb 24

"Quite literally, I did not have a microphone, but I had a karaoke game on the Nintendo Wii and they gave you a mic": PinkPantheress becomes the first woman to win Producer of the Year at the BRIT Awards

The artist reflects on her journey from bedroom beatmaker to chart-topping producer

MusicRadar · Feb 24

ACME Synth Works unveils “world’s first” hardware clone of the Roland Jupiter-8 – but don’t get too excited just yet

The JP-8 recreation isn't a real product right now – but ACME's Oberheim Xpander clone is still in the works

MusicRadar · Feb 24

“A cost-effective wavetable synthesizer you could fall in love with”: Waldorf Protein review

If you’re lacking a little Protein in your production diet, Waldorf has just the supplement for you

MusicRadar · Feb 24

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news in one place.

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MusicRadar · Feb 24

“I mean, it’s a terrible position to put someone in. They would always be compared to the man”: Geddy Lee on why he and Alex Lifeson chose Jeff Beck drummer Anika Nilles to fill the late, great Neil Peart’s role in Rush reunion tour

After a tip from his tech, the Rush frontman/bassist says there was only one drummer in his mind, and Nilles nailed the material. But she's going to need a bigger kit...

MusicRadar · Feb 23

“An absolute steal when it comes to quality and value for money”: Harley Benton ST-Modern Carlos Asensio CGM review

The Guitarraviva YouTuber teams up with Harley Benton to deliver one of the most spec’d-out affordable guitars we’ve ever seen

MusicRadar · Feb 23

“I can’t go on Instagram - my reel is all hardware and I get sucked in”: Electronic producer and artist James Adrian Brown on how his synth obsession fuelled his debut record

Experimental electronic artist James Adrian Brown unpicks the making of his debut album and how it was inspired by the illuminations and arcades of Blackpool

MusicRadar · Feb 23

“I’m out of tiles. I'm out of wood. I just don't have it. So the only way for me to come up with a new idea and get some new inspiration is to just step away”: Tobias Forge explains why Ghost are about to go on hiatus

Band play last show of their Skeletour tonight

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news in one place.

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MusicRadar · Feb 23

“My advice is play the song. Can you find a part that is tailored to the music – with hooks that don’t get in the way?”: Cory Wong’s tips for better rhythm guitar playing – and why his favourite Vulfpeck chord is “a bit like tofu”

“If people like how I play the guitar – great. But I’ll only play what I feel is appropriate for the song”

MusicRadar · Feb 23

“A fun, unique way to express yourself”: Google adds AI music creation app Lyria 3 to its Gemini assistant

But questions remain over its training

MusicRadar · Feb 23

Abbey Road releases its first virtual instrument in collaboration with fashion house Charles Jeffrey Loverboy

The Big Nessie is a free Kontakt instrument that gives producers "warped percussive textures, tonal fragments and experimental rhythms to play with"

MusicRadar · Feb 23

Jigsaw Falling Into Place?: Radiohead fans speculate as band form a new limited company

Move indicates new band activity

MusicRadar · Feb 23

“How did the zap migrate from its association with Klingons, to its more common description of Hi Q?”: How to conjure the spirit of early techno and trigger your own retro zaps in software

How a sound design approach originally deployed for television effects became an electronic music staple - and how to make it yourself

MusicRadar · Feb 23

“A new way to put meaningful control of the algorithm directly in your hands”: Can Spotify’s Prompted Playlist feature put you back in the driving seat when it comes to your music listening?

Instead of being force fed playlists by the algorithm, you can now try and make it work for you

MusicRadar · Feb 23

“Brian Wampler’s take on those fire-breathing amps that defined the sound of the 1980s”: Love hotrodded Plexi crunch and Mesa high-gain drive? Wampler’s Golden Jubilee serves up both in one sparkly green stompbox

Wampler is calling it a “complete gain solution” and who can argue with that…

1 … 57 58 59 60

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The Latest Breaking News from MusicRadar

“The breadth of control, countered with the joy of random probabilities, is simply fun”: ADDAC System 511 VC Stochastic Voltage Generator review

It’s funny because it’s true: Soulseek is suddenly full to the brim of crazy Homer Simpson covers

“I have never been to the Grammys in my life… it means less than nothing”: John Mellencamp isn’t impressed by awards

“I think Mick would be totally astonished that he’s still being talked about in such a positive way. This guitar just adds sparkle to an already legendary life”: Gibson unveils Murphy Lab replica of Mick Ronson’s Bowie-era 1968 Les Paul Custom

​​“I’m looking at this ‘hot chick’ who's got everything going on – or at least that’s what you think – and she wants the song about being Beautiful? How vain is that?”: How Christina Aguilera ended up recording a Linda Perry song that she's now reclaimed

“The synths only let you play one note at a time, which was great as we couldn’t play chords anyway”: How Depeche Mode launched their career with one of the most important synth-pop records ever released

“The beating human heart of those incredible men and women, the struggles and sacrifices they are making every day for the most sacred thing on this planet – freedom”: New U2 video features footage taken from behind the frontline in Ukraine

“I don’t think we’ll have to go out into the desert and take peyote and puke like we did in the old days – when we were the hip young LA cowboys”: How Don Henley and Glenn Frey remembered the Eagles’ wild years as they created the band’s swan song

"There's nothing quite like it": The singular genius of Laurie Spiegel's Music Mouse, with Eventide's Tony Agnello

“When you've been in a band you’re always, in the back of your head, thinking, 'Well, maybe this is it.' And I don't mind that feeling. I don't see it as a sad thing”: Mike Patton on feeling closure at the end of Faith No More

“He says, ‘Well, I've got it here,’ and he plays it. He gets Austin to sing it with him, so Austin and Sir Paul are doing an Elvis duet”: Uh-huh? Baz Luhrmann says that Paul McCartney convinced Austin Butler to sing an Elvis song with him on a train

"Quite literally, I did not have a microphone, but I had a karaoke game on the Nintendo Wii and they gave you a mic": PinkPantheress becomes the first woman to win Producer of the Year at the BRIT Awards

ACME Synth Works unveils “world’s first” hardware clone of the Roland Jupiter-8 – but don’t get too excited just yet

“A cost-effective wavetable synthesizer you could fall in love with”: Waldorf Protein review

“I mean, it’s a terrible position to put someone in. They would always be compared to the man”: Geddy Lee on why he and Alex Lifeson chose Jeff Beck drummer Anika Nilles to fill the late, great Neil Peart’s role in Rush reunion tour

“An absolute steal when it comes to quality and value for money”: Harley Benton ST-Modern Carlos Asensio CGM review

“I can’t go on Instagram - my reel is all hardware and I get sucked in”: Electronic producer and artist James Adrian Brown on how his synth obsession fuelled his debut record

“I’m out of tiles. I'm out of wood. I just don't have it. So the only way for me to come up with a new idea and get some new inspiration is to just step away”: Tobias Forge explains why Ghost are about to go on hiatus

“My advice is play the song. Can you find a part that is tailored to the music – with hooks that don’t get in the way?”: Cory Wong’s tips for better rhythm guitar playing – and why his favourite Vulfpeck chord is “a bit like tofu”

“A fun, unique way to express yourself”: Google adds AI music creation app Lyria 3 to its Gemini assistant

Abbey Road releases its first virtual instrument in collaboration with fashion house Charles Jeffrey Loverboy

Jigsaw Falling Into Place?: Radiohead fans speculate as band form a new limited company

“How did the zap migrate from its association with Klingons, to its more common description of Hi Q?”: How to conjure the spirit of early techno and trigger your own retro zaps in software

“A new way to put meaningful control of the algorithm directly in your hands”: Can Spotify’s Prompted Playlist feature put you back in the driving seat when it comes to your music listening?

“Brian Wampler’s take on those fire-breathing amps that defined the sound of the 1980s”: Love hotrodded Plexi crunch and Mesa high-gain drive? Wampler’s Golden Jubilee serves up both in one sparkly green stompbox

“I’m looking at this ‘hot chick’ who's got everything going on – or at least that’s what you think – and she wants the song about being Beautiful? How vain is that?”: How Christina Aguilera ended up recording a Linda Perry song that she's now reclaimed