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The Latest Breaking News from Guitar World

“He started playing rhythm stuff and asked me to play lead. I said, ‘Pete, it’s your album’”: How Snowy White ended up working with Peter Green on In the Skies – the comeback album that lifted the blues rock legend out of obscurity

Green spent most of the 1970s out of the limelight, but a phone call to Snowy White helped get his career back on track

Guitar World

“Most of these dudes don’t fall quite as far as I did. They don’t develop a meth habit and end up shoveling dog s**t for $6 an hour”: Gary Holt on his thrash metal redemption story, balancing Exodus and Slayer – and why even Hetfield cheats on downpicking

Exodus and Slayer mainstay Gary Holt reveals what compelled him to finally roll up his sleeves and unflinchingly tell his life story

Guitar World

“I would love to work with artists who have already built up beautiful collections and are ready to let a few things go”: Is Gibson about to start selling artist-owned vintage gems?

Gibson’s Certified Vintage manager has expressed his desire to team up with artists to sell their vintage gems directly to fans – and a few notable six-strings spring to mind

Guitar World

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“I would listen to Eric, but my responsibility was really with the rhythm section”: You know the tune, but maybe not the bass player – how the unassuming Carl Radle carved out a spot in music history on Derek & the Dominos’ Layla

Recorded at Miami’s Criteria Studios on September 9, 1970, Carl Radle helped ground the mega-hit beneath the immortal pairing of Eric Clapton and Duane Allman

Guitar World

“I first heard him play via a tear-out flexi-disc that was included in Guitar Player magazine back in 1986. I had never heard anything like that in my life!”: Joe Bonamassa on the influence of the great Eric Johnson

What’s so special about Eric Johnson? “The tone, the technique, everything!” says Joe Bonamassa, and in this video lesson he shows us what he’s taken from the Texan virtuoso

Guitar World

Giacomo Turra stole their work – now, Jack Gardiner, Alex Hutchings, and a host of other players have teamed up to deliver the ultimate funk masterclass

The instrumental diss track, Slapocalypse Reborn, puts the spotlight back on the players who were wronged by Turra

Guitar World

“Will remind me of the hours I spent in the taverns of Azeroth”: Jackson has built a one-of-a-kind World of Warcraft guitar for Malevolence’s Konan Hall – and it was inspired by his in-game character

The one-of-a-kind Kelly was given its surprise debut during the band’s secret set at Download Festival over the weekend

Guitar World

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Fender re-enters the tuner pedal market with an “ultra-precise” strobe stompbox to rival Peterson and Boss – and it’s more affordable than both

Fender expands its stompbox catalog with a trio of new devices that look to make waves in two key pedal markets

Guitar World

“I apologize for the broken beer bottle that was thrown at him”: Melissa Auf der Maur surprises fans as she reunites with Billy Corgan to perform a Smashing Pumpkins classic

The bassist linked up with the alt-rock titans for the final song of the night in Montreal

Guitar World

“The good news is it was recorded – you can go online and see it. The bad news is that’s because someone stole all the master tapes”: Jeff ‘Skunk’ Baxter on his supergroup with Joe Walsh, sessions with Joni Mitchell and the voices of Albert King

The session great discusses being hand-picked by Gene Simmons, fitting in with James Brown, creating classic solos for Steely Dan and the Doobie Brothers, and Frankenstein acts on most of his guitars

Guitar World

“I said, ‘Give me a mop and some cleaning supplies.’ I scrubbed that bathroom and I made it spotless”: Guitar Center CEO Gabe Dalporto is on a mission to raise store standards – and says he’s not above scrubbing restrooms

Dalporto took a trip to assess the on-scene situation at one of his stores – and ended up getting hands-on with the cleaning

Guitar World

“There were all these killer players. I was shy and kind of sat there, but Etta said, ‘I like that little white kid’”: Brian Ray wowed Etta James at 18, lost-out on Shakira and landed his gig with Paul McCartney –after auditioning at the Super Bowl

Brian Ray's career is like no other. As Paul McCartney's guitarist for over 20 years, he gives us a unique perspective on what it's like to play with a Beatle – and how it all started with the Monster Mash

Guitar World

“A first in the history of electric bass guitar”: Stephen Malkmus is using his bass string as a guitar strap onstage with his new supergroup – and it looks uncomfortable

Your shoulder might not thank you, but it’s certainly a novel way of repurposing old strings

Guitar World

“Noel pointed to my smashed guitar and said, ‘Whose is that?’ Liam said, ‘That’s yours.’ Noel replies, ‘It ain’t mine!’” How an Oasis engineer ended up with the Wonderwall acoustic – after his budget Fender got destroyed in a Gallagher brother bust-up

The band’s engineer was given the iconic instrument as compensation after an in-studio spat resulted in the destruction of more than one guitar

Guitar World

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“The boys and I had just gotten off tour. We got a call from our booking agent…” How a “fluke accident” led to Lzzy Hale playing at Dio’s last-ever show

Halestorm saved the day when they were unexpectedly called upon to open for Heaven & Hell

Guitar World

“One of the most hotly anticipated gear releases of the modern era has finally landed – and it still managed to sneak in a few surprises”: Here is all the new gear that has caught my eye this week – and, yes, that's a pink Jazzmaster

A blockbuster drop from Line 6 and a raft of new instruments from the Fender family of brands headline a busy week in the world of guitar gear

Guitar World

“I used a Gibson EB-3 through my time with David, trying to get the same bass sound Andy Fraser got with Free”: How the late, great Trevor Bolder applied melodic flair to anchor this irresistible 12/8 rocker from David Bowie’s Aladdin Sane

Replacing longtime Bowie collaborator Tony Visconti in the Spiders From Mars, Bolder found himself writing basslines on the spot, a challenge he relished. On Drive-In Saturday, he hit the jackpot

Guitar World

“I went, ‘I’m sorry we all couldn’t do it.’ Tom Morello goes, ‘Well, Dan and Maynard are playing with these people.’ I went, ‘I didn’t know that…’” Adam Jones on why Tool weren’t originally going to take part in Ozzy Osbourne’s last-ever show

In case Tool fans were wondering why the band wasn’t part of the original lineup...

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Guitar World

“More than just a metal machine and I would have no qualms in taking one out for gigs, fresh out of the box”: Spira T-450 TDB review

A T-style with a twist, and there’s plenty of bang for your budget metal buck here

Guitar World

“Phenomenal tone at any volume”: Fender’s American Vintage ’62 Super revives a “hidden treasure” tube amp that bridged the gap between two legendary combo designs

Landing in the sweet spot between ’50s tweed tones and ’60s black-panel sparkle, the ’62 Super is a throwback combo from a transitional period of Fender history

Guitar World

“I’d never heard it like that, apart from on record, because in the days of Zeppelin, I’d do as much as I could with the one guitar”: 25 years ago, Jimmy Page’s live vision for one Zeppelin classic was fully realized – thanks to the Black Crowes

A new mini-documentary charting the history of Page and the Crowes’ live album, Live at the Greek, has been released

Guitar World

“Bringing together the analog elements that have defined Supro with state-of-the-art cabinet emulation”: Supro’s new Airwaves combo is a 6V6-driven 1x12 with onboard Two Notes tech for vintage-modern versatility

The New York firm’s latest build can push air with vintage, Celestion-powered tones and record DI with customizable IRs for the best of both tonal disciplines

Guitar World

“It’s time”: Matt Bellamy channels his inner Meshuggah with a wild new 8-string Manson model – which has already been put to work on a monstrous new Muse song

New single Unravelling – which will drop imminently – finds the band travelling into a darker, djent-ier world

Guitar World

“I had three days to learn the entire set… One rehearsal. I met Pink at soundcheck right before the first show then I’m playing in front of thousands and thousands of people”: Eva Gardner on trial by fire with pop megastars and returning to the Mars Volta

Eva Gardner has played with Cher, Moby, Pink, Veruca Salt... the list goes on. Here she reveals how it all started with a bass from Andy Johns, how it's going with the Mars Volta – and what comes next

Guitar World

“Reimagining the acoustic experience for daring and adventurous players”: Fender debuts the California Standard Series – bringing its popular budget acoustics to even lower price points

The new range arrives in time to compete with a growing budget acoustic market – and doubles down on Fender’s Standard initiative

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