Get all your news in one place.

100’s of premium titles.
One app.

Get all your news in one place.

100’s of premium titles. One news app.

The Latest Breaking News from Guitar World

“Lots of what I play, I wouldn't know how to describe it… I’m following my nose all the time. It’s a process of instinct and desire”: Meet Lazy Day’s Tilly Scantlebury – the UK guitarist-producer summoning sparkling indie tones from secondhand setups

North London songwriter-producer embraces focus on rhythm, open tuning, Tubescreamer clones and following their instincts on debut album Open The Door

Guitar World

“A handsome and versatile instrument that deserves its second chance”: Gibson Victory Figured Top review

It hardly set the world alight on its first release, but tasteful upgrades may yet see the new Victory models receive the recognition they deserve

Guitar World

“Unprecedented customization”: Brubaker merges headless guitar hype with modern modular designs for the NBS Series – which offers switchable high-end preamps

Bartolini, Dark Glass, John East, Aguilar, and Nordstrand preamp modules are available, and each can be swapped out in less than 60 seconds

Guitar World

From analysis to the latest developments in health,
read the most diverse news in one place.

“Aqualung was Ian’s riff. The solo was all done on the fly. If I hadn’t got it in two takes then it would have been a flute solo. That’s when Jimmy Page came up to say hello”: Martin Barre on Jethro Tull, the Aqualung sessions –and supporting Hendrix

A signature-shifting collision of bucolic folk and frayed-edge rock, Jethro Tull’s Aqualung is one of the ’70s’ most daring records. Barre takes us on a deep dive back to those fabled sessions, from winging hisparts to snubbing Jimmy Page

Guitar World

“This is why we want to show up at NAMM”: Marshall is returning to NAMM for the first time in 5 years – and has teased some blockbuster launches

After previously hinting that digital amps, modeling software and other advancements were in the works, Marshall is now set to embark on an all-new chapter when NAMM 2025 kicks off

Guitar World

“The second night after I arrived in Miami, I went to a jazz club. This guy played bass for one tune and it was like he had dropped out of a spaceship”: Pat Metheny tells the story of how he met Jaco Pastorius – and their formative years in Miami

Pastorius notably played on Metheny's debut album, Bright Size Life, and the two even joined Joni Mitchell on her Shadows and Light tour

Guitar World

“A lot of people are feeling the same way. They're like, ‘I’m covered with Superstrats and Strats, but I don't have an offset…’”: Misha Mansoor on the emergence of offsets in metal music – and why he should have seen it coming

The Periphery guitarist recently worked with Jackson to produce one of 2024's most talked-about custom builds – but he's not the first player to have dragged the offset into heavy territory over the past few years

Guitar World

Read news from The Economist, FT, and more,
with one subscription

Dave Keuning’s uncanny ability to craft huge songs like Mr. Brightside from simple melodies is at the heart of the Killers’ blockbuster sound – here’s how you can use his rhythm approach and hook-filled lead style

There are many lessons to be taken from Dave Keuning’s work with the Killers, not least that an appreciation of melody, a diverse musical vocabulary, and an ear for hooks makes for a crowd-pleasing set

Guitar World

“The idea of lead guitar is that there’s focus put on it, and during this period I just didn’t want any focus to be on me”: How Devin Townsend relied on his production process to deliver his new album from the depths of depression and grief

The first of a four-album cycle on death and rebirth involved a serious stack of gear and staggering new speakers – and the Canadian prog-metal maverick says the process was cathartic in its own way

Guitar World

“I wanted a portable amp that I could use backstage before a show to warm up with. I like to plug my PRS right into it – there are no pedals required”: Orianthi and Orange team up to create the 20RT, a portable, versatile amp with high gain tones aplenty

The 15.9 lb Orange Crush 20RT comes fully equipped with an 8-inch, custom-designed ‘Voice Of The World’ speaker, a 3-band EQ, chromatic tuner, and “spring-inspired” reverb

Guitar World

“Wolfgang knows more Intervals songs at any given moment than I do – on guitar and drums”: Intervals' Aaron Marshall on making the impossible possible, and jamming with Wolfgang Van Halen

Memory Palace is another dizzying work of instrumental genius from Aaron Marshall and co, but creating all this on record presents a challenge when it comes to the live show. Marshall's approach? Play it by any means necessary...

Guitar World

Players like Larry Carlton use chords as a launching pad for improvisation, and you can, too. Learn how polychords and slash chords hold the key to musical exploration, just as scales do

Knowing the difference between slash chords and polychords can give you a much greater understanding of harmony

Guitar World

“An unapologetic approach to thrash rhythmic precision”: Weaponize your picking hand with this lesson in the bruising thrash-stomp riffing style of Anthrax rhythm kingpin Scott Ian

If you've got the time, this lesson'll whip your metal rhythm chops into shape. You might even call it a mosh pit-starter

Guitar World

“I want an instrument to give me the start of a song. And, often, getting discomfited slightly helps that process along”: David Gilmour on why the guitar is still a vehicle for giving “birth to new tunes” – decades deep into his career

Gilmour talks about how limitations and “getting discomfited” are crucial to his songwriting process – and to keeping things sounding fresh

Guitar World

Get all your
news in one place.

100’s of premium titles.
One news app.

Guitar World

“The Janie’s Got a Gun solo had a ratty sound. I had a Chet Atkins signature guitar plugged into a 15-watt Marshall practice amp... the producer said, ‘It sounds terrible’”: Joe Perry on 50 years of Aerosmith, and what it takes to nail his “working tone”

As Aerosmith call timeon their stellar 50-year touring career, Perry joins us to reflect onwhathe’slearned about guitar along the way – the tones that work, the tones that don't, and the invaluable lesson he learned from Keith Richards

Guitar World

“Designed out of pure selfishness”: Brian Wampler conquers a career-long challenge with the Catacombs – a hybrid delay/reverb pedal he almost didn’t release

Guitar World

“He knocked on the door of his girlfriend’s ex. The guy said, ‘No, man, not my guitar!’ ‘Yep, you’ve got to give it up’”: George Benson on how he got the Gibson that shaped his 1976 chart-topping record, Breezin’

Benson recalls how he bought his Breezin' Gibson Johnny Smith from someone he calls “one of the bravest guys I’d ever met”

Guitar World

7 stocking filler gift ideas under $20 that guitar players actually need

These recommendations come with our junk-free guarantee

Get all your
news in one place.

100’s of premium titles.
One news app.

Guitar World

“The moment I played the first note, I knew we achieved Holy Grail-level results”: John Petrucci’s Majesty signature guitar has hit its 10th Anniversary – and brands are rolling out the red carpet to celebrate

DiMarzio and Ernie Ball Music Man have both helped Petrucci commemorate the milestone by unveiling a Majesty fitted with new-look humbuckers

Guitar World

“I went in there and I was like, ‘I need a really good fuzz.’ And they had this pedal there”: Myles Kennedy names the “secret sauce” stompbox he thinks every guitar player should own

The Alter Bridge icon used the sub-$200 octave fuzz pedal on his recent solo record

Guitar World

“I don’t think it’s wrong for certain people to like my style of playing better. It’s about who speaks to you”: Jake E. Lee on comparisons with Randy Rhoads – and what his fellow Ozzy shredder was better at

The virtuoso has weighed in on the decades-long debate that has pitted him against his Prince of Darkness predecessor

Guitar World

“It sold for $937,000 to an anonymous buyer who, we assume, doesn't play punk rock for a living”: From Joe Strummer’s Tele to Johnny Ramone's Mosrite, here are the iconic guitars behind the sound of punk – and the modern-day equivalents you can buy today

The filth, the fury, and '80s Fernandes Strat copies – these guitars, amps, and effects defined the sound of some of rock's greatest, and most rebellious, bands

Guitar World

“I might have done better in the Bluesbreakers than in the Yardbirds, but I certainly wouldn't have had the same kind of free rein to experiment”: Jeff Beck on his relationship with Eric Clapton, jamming with Hendrix, and turning down John Mayall

In a 2010 chat with GW, the always creatively restless virtuoso discusses his love of John McLaughlin, what he sought out to do when venturing into the world of classical music, and the musical icon he wished he had had the chance to collaborate with

Guitar World

“It took me a while to learn that guitarists can’t play bass. It’s about more than just getting the notes right”: How Mike Rutherford’s ‘lead bass’ approach helped demystify the low-end for prog rock cornerstone Genesis

The departure of guitarists Anthony Phillips and Steve Hackett cleared the way for Rutherford's angular bassline on this Genesis classic

Guitar World

“There were nine other bass players. I got the job. Then I was told they were picking me up in three hours for a tour – I had to take it or leave it”: Tony Stevens on his rocky ride with Savoy Brown, Foghat and Midnight Flyer

Despite industry woes, he loved the challenge of playing with Kim Simmonds and ‘Lonesome’ Dave Peverett, and loved Acoustic amps and Warwick basses

1 … 4 5 6 7

People

From analysis to the latest developments in health,
read the most diverse news in one place.

Organisations

Read news from The Economist, FT, and more,
with one subscription

Topics

Places

Fourteen days free

Download the app

One app. One membership.
100+ trusted global sources.