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The Latest Breaking News from Guitar World

“All I need is insurmountable odds. Give me your worst guitar, an amp made in a garage and a pedal that’s not meant to be there. We’ve got something”: Josh Homme is finally ready to talk tone

From flea market finds to amps that aren’t amps at all, the Queens of the Stone Age mastermind has begun to reveal his tone secrets – starting with the little Peavey that could. The self-proclaimed shepherd of the weird explains why it’s time to share

Guitar World

“This guy comes over, leaning on me. He said, ‘I’m sorry my guitar is such a pain in the butt’”: That time Eddie Van Halen visited the EVH workshop while they were building the Wolfgang

Fender Master Builder Andy Hicks hadn’t been in the job long before he received a visit from the guitar great, who came to oversee the making of his signature

Guitar World

“I’ve spoken to a lot of people about it – many of them think it will make more this time around”: David Gilmour’s Black Strat could be about to break records all over again

It was the world's most expensive guitar when sold at auction in 2019, but as it goes under the hammer in the Jim Irsay Collection, there are a number of reasons to think it will claim another record

Guitar World

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“I'm probably gonna get 150 guitarists telling me how I'm doing this wrong, but this is just what works for me”: Samantha Fish reveals the “cheat” she uses to emulate a pedal steel guitar

Despite calling it a “hot mess,” Samantha Fish says a volume pedal is her tried-and-tested approach to creating volume swells

Guitar World

“I had no idea who they were. My manager said, ‘You should talk to this guy named Trent Reznor’”: How Adrian Belew ended up working with Nine Inch Nails

The King Crimson legend worked on The Downward Spiral with Reznor, but a planned tour never took place

Guitar World

“I freaked out. I couldn’t believe it. Nobody else was doing that at the time”: The Beatles made the Leslie speaker an iconic guitar tone. But a pioneering “all-female” rock band were one of the first to take it out on the road

June Millington, one of the co-founders of the 1970s LA-based band Fanny, heard the Let It Be demo and was set on incorporating a Leslie speaker into her rig

Guitar World

“There are a lot of amazing guitars, but none are as versatile as the Telecaster”: Fender’s radical John Osborne Telecaster brings the B-Bender back to its ranks for the first time in over 20 years

Fender’s first-ever in-house B-Bender mechanism makes its debut on one of the firm’s most eye-popping Telecasters

Guitar World

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“We couldn’t play those songs properly. It’s a bunch of kids, playing a lot of chords, not always successfully”: Glenn Tilbrook on the resurrection of the Squeeze concept album that never was

Demo’d in ’74, when their compositional skills wrote checks their chops couldn’t cash, Squeeze shelved Trixies for 52 years. Now, Tilbrook says he’s proud to pull this lost album from the time machine

Guitar World

“A cost-effective way of accurately amplifying your modeled tone, which is exactly what many guitar players need”: Blackstar Artist FR Special review

Bypassing some of the fancy features of other FRFR cabinets, Blackstar gets straight to the point with a no-frills solution for amplifying your modeled guitar tones

Guitar World

“I was a good bass player, and I am proud of my Celebrity Skin work, but oh my God, it changed my level of musicianship forever”: Melissa Auf der Maur on what she learned from playing with Billy Corgan and The Smashing Pumpkins

Auf der Maur joined the Pumpkins in October 1999 following a five-year stint with Hole

Guitar World

“Reinforces the value of originality”: Fender secures legal ruling to protect the Stratocaster body design

Fender says the ruling creates enforceable rights against any guitars using the Stratocaster body shape that are manufactured, sold or distributed into Germany or other countries of the European Union

Guitar World

“Every lick he plays sounds perfect, like it’s etched in stone. But I’m sure that he simply improvised everything”: How to play B.B. King’s greatest song (with some help from Joe Bonamassa)

Bonamassa says B.B. King’s The Thrill Is Gone is so perfect that he initially couldn’t find anyone to cover it on his tribute album. Here, he unpacks the tones and approaches of the King of the Blues

Guitar World

“He felt a responsibility to look after these things. He was aware that you can’t be buried with them – you are but the temporary custodian”: Inside the greatest guitar auction of all time

With Jim Irsay’s epic collection of iconic guitars about to go under the hammer at Christie’s, we find out how this unique treasury of tone was prepared for auction

Guitar World

“Amp and cab models that surpass some expensive units from bigger brands”: Blackstar ID:X Floor Three review

Blackstar swerves the touchscreen for a tactile, amp-style workflow

Guitar World

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Guitar World

“I would go by John’s room and he’d be working on alternate picking to a metronome. I’d never seen anyone do that before”: He arrived on the shred scene with Paul Gilbert, Jason Becker and John Petrucci… then he vanished

After starting a family and his own company, Darren Housholder's priorities changed – but he’s gradually brought music-making back into his world

Guitar World

Janelle Monáe’s new guitar of choice is the cheapest Epiphone Les Paul ever released

The multi-instrumentalist donned one of the most budget-friendly guitars Epiphone has ever released when teasing her new era

Guitar World

The most advanced lap steel ever? Verso looks to revolutionize the lap steel slide guitar with the Log – a radical new take with freely movable pickups

The instrument is shaking off its conventional connotations to deliver a whole new world of soundscaping

Guitar World

“One of the great troublemakers in guitar history”: Eastwood bravely recreates Mike Bloomfield’s mangled Bob Dylan Telecaster – the guitar that killed folk

Bloomfield famously used the Telecaster before its brutal cutaway mod when Bob Dylan went electric at the Newport Folk Festival – and now it’s been remade in all its grisly glory

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Guitar World

“All of the guys in Metallica, except for the guitar player, told me what a great guitar player I was”: Seattle rock guitarist on touring with Metallica and Aerosmith in the early ’90s – and receiving the ultimate praise from his heroes

The success of their debut album soon found Candlebox on the road with two massive bands

Guitar World

“I was a little uncomfortable, to be honest”: Why Myles Kennedy felt uneasy using Jeff Buckley’s Telecaster to play Hallelujah

Kennedy played Buckley’s iconic 'Grace' Tele for a special tribute performance of Hallelujah in 2019

Guitar World

“Joe said, ‘Check this out.’ It just so happened to be a quarter-of-a-million-dollar guitar that got the job done”: How Eric Gales enlisted Buddy Guy, Kingfish, Joe Bonamassa (and his guitar collection) to pay tribute to his brother

With a little help from Bonamassa and Josh Smith, Eric Gales put together one of the great 21st-century blues albums to honor his brother Little Jimmy King

Guitar World

“I never know what might come across my desk, but this was a taker”: Steve Vai has recorded a new solo over Van Halen’s Jump – which has been crowned the official World Cup 2026 anthem

Blink-182 drummer Travis Barker also features on the track

Guitar World

Bopping blues and greasy grooves: Ally Venable's rhythm guitar tips and secrets

Learn how to boost your blues to pro levels of authenticity with a handful of great chords and a rock-solid rhythm technique

Guitar World

“Sometimes David had suggestions. If he wanted a specific thing, he'd ask for or try to explain it. Lenny's the opposite – he wants it to sound exactly like he did it!” How Gail Ann Dorsey honed her bass craft with David Bowie and Lenny Kravitz

Bowie’s long-time bassist salutes her mentor and unpacks her approach to the bass chair with Lenny Kravitz

Guitar World

“When everyone’s staring at you, you can’t run off and cry. You just gotta deal with it”: Witch Fever’s Alisha Yarwood on superhero stompboxes, dream tours with IDLES, and why ‘That Great Gretsch Sound’ was doom-punk all along

Raw, feminist, fiercely unrelenting, Witch Fever have taken their sound from clubs to arenas. Here, Yarwood talks tonal epiphanies, starting on drums, and finding freedom on bigger stages

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