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The Latest Breaking News from Guitar World

“I don’t have any favorite guitarists from the ’90s. I wasn’t following those trends”: He wrote some of the defining anthems of the decade with Smash Mouth. Now Greg Camp is focusing on his Nashville punk-rock supergroup

Camp started out as a drummer before EVH made him realize the advantages of guitar. The young Carson Daly helped make his band famous. Now he’s powering forward with supergroup The Defiant’s second album

Guitar World

“My student tricked me into getting an Instagram”: The off-hand advice from a student that helped kickstart Yvette Young’s career

The virtuoso may now be one of the most recognizable guitarists on social media, but Young admits she was initially reluctant to share her chops online

Guitar World

“After his funeral, me and my buddy snuck into his house and took the guitar”: Pepper Keenan got his first guitar after a tragic accident

The Down and Corrosion of Conformity guitarist has looked back at the unlikely origins of his career in rock

Guitar World

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“It absolutely blew my mind”: Why Dave Grohl is obsessed with viral Canadian microtonal duo Angine de Poitrine

The math-rock wizards have taken the internet by storm, racking up millions of views in the space of just a few months

Guitar World

“The guitar community came through and sent about one million solos to me”: The world’s buzziest guitarists fought to get on this Bilmuri track – now the winning solo has been revealed

The winner beat out the likes of Intervals' Aaron Marshall and Connor Kaminski to have their solo featured on the final song

Guitar World

“I got acrylic nails, because my mom told me that’s what Dolly Parton did. It allows me to play in a flamenco style”: Ashley Reeve leads the low-end for everyone from Cher to Filter – and her right-hand tone is her most important asset

When she’s not performing with Cher, Ashley Reeve has honed her bass playing prowess with the likes of CeeLo Green, Adam Lambert and alternative rock band Filter

Guitar World

“Is it worth the higher price tag? For some, it won’t matter, but for others, it is something to weigh on heavily”: Act Entertainment Sterling Vermin RAT Distortion pedal review

The Sterling Vermin impressively presents itself as an evolved and cultivated RAT pedal dressed in shining armor

Guitar World

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“Automatically you go into blues when you do that”: Big Country's golden guitar rule that steered them clear of the blues

The band drew great inspiration from Thin Lizzy’s sonic template, but they made a concerted effort to avoid being labeled as a blues band

Guitar World

“I’d buy a ‘54 Strat, and then I’d sell it, buy one, sell it… I just kept trading them off. I’ve been disappointed in some of those”: Eric Johnson on why a guitar's age, value, and cool factor don't necessarily make it a better instrument

Flirtations with vintage gems haven't always yielded the results the virtuoso wanted

Guitar World

“The company that handles all our equipment has completely boned us. We have literally nothing to play”: The All-American Rejects cancel show after gear is “mistakenly shipped across the country”

The band have staked their claim for the ‘weirdest gig cancellation’ of the year

Guitar World

“I certainly didn’t know how to build a studio. It was all Donn’s magic”: Donn Landee, the engineer who masterminded 5150 Studios, and helped shape Van Halen’s sound, dies at 79

The recording engineer was a key figure in Van Halen’s first eight albums and made Eddie Van Halen's ahead-of-his-time vision for 5150 Studios a reality

Guitar World

“I was 8 and Andy was my first guitar teacher – to me he was Mr. Summers with a funny accent!”Doug Pettibone on taking lessons from Andy Summers, touring with Jewel, and not getting fired by John Mayer

The first-call guitarist explains why he loved working with Lucinda Williams but had to leave, how he got the gig back, his chemistry with Marc Ford, and faking it on pedal steel until Mayer helped him make it

Guitar World

“I put it in the freezer overnight and took a blowtorch to it”: Joe Perry put his “desert island guitar” through hell but it’s still his number one

Perry’s Fender/Warmoth “Burned Strat” aka the “Rat Strat” was the main guitar on Aerosmith’s recent collab with Yungblud

Guitar World

“That changed everything for me. ‘It doesn’t hurt. I could play like this all day long. And it sounds great!’’ How a Hendrix hack helped The Collect Pond’s Danny Moffat play through his health issues

A jangle-pop-inspired Boston post-punk band that shares its name with a putrid body of water in 19th-century Lower Manhattan? What’s not to love!

Guitar World

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Guitar World

“There are really good ’Bursts, average ’Bursts and some that are not that good at all”: What this pristine 1960 Gibson Les Paul Standard tells us about the myth of the ’Bursts

A so-called Double-O, this 1960 Les Paul was made from ’59 parts, and is a bona-fide grail. But this was not always the case. Back in the day, players just didn't get the appeal

Guitar World

“I wasn't trying to make a retro album. I went through a Fractal”: Avenged Sevenfold’s Zachary Baker rides alone on Dark Horse – cooking up a country album with little more than a modeler and an Epiphone acoustic

He built his name shredding stages with one of metal's biggest bands. Now, Zacky Vengeance talks us through the making of his debut album and why he relied on digital modelers over amps

Guitar World

“I told myself I’d stop buying JHS Pedals gear. At this rate, my pedalboard is going to look like a shrine to the company”: All the guitar gear that caught my eye this week – including the most outrageous Ibanez I think I’ve ever seen

Feast your eyes on all the weird and wonderful guitar gear that dropped this week, with new releases from Strymon, Ibanez, Catalinbread, and more

Guitar World

“I am 10 times the player when I hold a guitar pick the ‘wrong’ way”: A blues guitar hero showed me how he held his pick – and it changed the way I played guitar

Some sage advice has shaped my entire playing journey – and anyone can give it a go for immediate results

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Guitar World

“I’ve never met Noel Gallagher, but I’ve heard he liked Strange Times”: The unsung 1986 album that inspired the ’90s Britpop boom

The big-name fans. The studio where the Smiths tracked The Queen Is Dead. The bird that got caught in the control room. This is the story of the Chameleons’ Stranger Times

Guitar World

“We continued being friends for 69 years. I don’t think there’s nobody living today that knew him as long as I did”: Bobby Rush salutes his old friend B.B. King

In his own words, Rush reflects on the brilliance of B.B. and what he learned from the King of the Blues

Guitar World

“It was a lot of trial and error with Dave – a lot of just trying to find out what worked, fine-tune it and then do it again”: Jimmie Vaughan on the Fabulous Thunderbirds’ Top 40 hit that got Al Bundy – and Hollywood’s – seal of approval

The year was 1986, London was calling for Jimmie Vaughan, where album sessions alongside Dave Edmunds led to a classic LP, and this is how it all went down

Guitar World

“Something you’ll hear a lot of is, ‘Oh, you didn’t earn that relicing.’ But people who like it aren't thinking of it like that”: The real reason why relicing is so popular, according to a Fender Custom Shop Masterbuilder

The pre-worn fad is sweeping the guitar community, but why do some deride the concept as ‘stolen valor’?

Guitar World

“He rolled up with his guitar on his back and his Fender Deluxe in his right hand”: Mark Lettieri on his jams with John Mayer, and how they ended up working together on one of the biggest PRS shows in history

Three guitar greats needed a band, and Lettieri came to their rescue

Guitar World

“They’re 16 bars, and that’s it. There’s no extended solos”: Adrian Smith on why making music outside of Iron Maiden lets him stretch his soloing wings

In Smith/Kotzen, he’s relishing the chance to improvise and color outside of his usual lines, but admits that keeping up with Kotzen isn’t easy

Guitar World

Philip Sayce: The 5 techniques that define my sound

Turbocharge your fretting hand stretches, screaming bends and blues-rock intensity with the core techniques that shaped Philip Sayce’s signature sound

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