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The Guardian - UK
The Guardian - UK
Entertainment
Alexis Petridis

You and I are gonna live forever: why 2024’s pop was all about sharing the moment

Come together … Charli xcx, Oasis and Taylor Swift.
Come together … Charli xcx, Oasis and Taylor Swift. Composite: AP/Simon Emmett/Getty Images/Guardian Design

The past year brought with it intriguing musical movements, not least a sudden pivot towards country by a succession of mainstream pop stars. Heralded by Beyoncé’s Cowboy Carter album and amplified by the release of Post Malone’s F-1 Trillion, the trend also brought huge hits for the hitherto-unknown Shaboozey and Dasha, while Zayn Malik called on the services of a Nashville producer and Lana Del Rey announced a country-influenced album.

2024 also brought with it new stars, most obviously Chappell Roan, who had spent the best part of a decade plugging away in obscurity, being signed then dropped by a major label, before releasing a debut album that slow-burned its way to the top of the charts: The Rise and Fall of a Midwest Princess initially came out in 2023 to little response (one of its biggest hits, Pink Pony Club, was first released four years ago). As with Sabrina Carpenter – whose 2024 breakthrough Short N’ Sweet was her sixth album – Roan had clearly had the space to work out exactly what she wanted to do and how she wanted to present herself, with appealingly idiosyncratic and uncontrived results.

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