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MusicRadar
MusicRadar
Entertainment
Will Simpson

“Who do we really support, and what kind of ecosystem do we want for live music in Europe?”: New research shows the vice-like grip four companies have on Europe’s live music

Concert crowd arms raised in mosh pit.

Some new research published by Live DMA, a Europe-wide network that represents promoters and live music stakeholders, has revealed the grip just four companies have on European live music.

Those four are Live Nation (surprise, surprise), AEG, CTS Eventim and Superstruct Entertainment Together, they apparently control 150 of the continent’s largest festivals. Of those, Live Nation is the dominant player, controlling some 120 European subsidiaries and with a turnover of $16.7 billion. Superstruct controls more than 80 festivals across 10 countries and CTS Eventim has generated $1.9 billion across more than 20 countries.

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