From Punks colonising King’s Road to performance poets in bohemian, academic Dublin, this spring’s TV drama is going high rather than low — perhaps a precursor to a summer of trash.
Sally Rooney’s words are back on screen, a guaranteed event post-Normal People, as are adaptations of bestsellers by Kate Atkinson and Sarah Vaughan. If you haven’t had enough of political scandal on the actual news, a couple of scheduling diamonds should satiate that desire further, too.
