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The Guardian - AU
The Guardian - AU
Entertainment
Elizabeth Quinn

Wag the Dog: a pitch-black political comedy that’s never looked more relevant

Dustin Hoffman wearing a white formal shirt and tinted glasses sigs on a cream leather couch, gesturing with his hands as if conducting
Dustin Hoffman in Wag the Dog – ‘at his quick-fire best playing the Hollywood producer with a huge Oscars-shaped chip on his shoulder’. Photograph: TCD/Prod.DB/Alamy

In a public discussion about the US election, the political commentator and one-time Keating speechwriter Don Watson posited that the American public finds it difficult to tell the difference between reality and fantasy. Never were the lines more blurrily drawn than in Wag the Dog, Barry Levinson’s pitch-black comedy from 1997.

According to the Merriam-Webster dictionary, the tail wagging the dog describes a situation in which “an important or powerful person, organization, etc., is being controlled by someone or something that is much less important or powerful”.

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