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The Guardian - UK
The Guardian - UK
Entertainment
Sandra Newman

TonyInterruptor by Nicola Barker review – satire that sees right through you

Nicola Barker.
‘Known for experiment and brainy whimsy’ … Nicola Barker. Photograph: SwagLord/Tom Parsons

As TonyInterruptor begins, musician Sasha Keyes is in the middle of an improvised trumpet solo. A man stands up in the audience and says, “Is this honest? Are we all being honest here?” He points at Sasha and adds, “You especially.” Soon a video of the episode appears online, with a companion clip of Sasha’s vitriolic reaction: “Some random fucking nobody … some dick-weed, small-town TonyInterruptor.”

Given the times we live in, this naturally leads to Sasha’s trial by social media for artistic fraudulence and abusive conduct. But the shockwaves soon extend to everyone adjacent to the event: Fi Kinebuchi, the self-styled “Queen of Strings”, who was playing with Sasha at the time; India Shore, the teenager who posted the first video; India’s father, Lambert, an architecture professor with a secret crush on Fi Kinebuchi; his wife Mallory, who divides her time between parenting her daughter, Gunn, who has special needs, and venting intellectual spleen; and even to TonyInterruptor himself, real name John Lincoln Braithwaite, an otherworldly outsider whose “main occupation – his duty, even – is to observe and assess the falling and the catching of light”.

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