When I was a student at Manchester University in the early 1970s, Eric Thompson (It’s time for bed again: French team bring back The Magic Roundabout, 9 September), who was directing a local production of Journey’s End, came to speak to the English society about the play. He was quickly sidetracked into talking about The Magic Roundabout. One nugget of information was that he based the grumpy character of Dougal on Tony Hancock.
John O’Dwyer
Steeple Claydon, Buckinghamshire
• If there’s a prize for Country Diary of the year, can I nominate Jim Perrin (10 September)? His taut mini-drama of tree pipit, cuckoo fledgling and tiercel, wrapped up in a vivid sense of landscape and identity, with a final twist of rage at a tawdry government more brutal than the raptor, was surely Country Diary at its best.
John Hopkin
Moseley, Birmingham
