In cinema, what you don’t see can often be more unsettling than what you do – and there are few better examples of that theory in action than The Zone Of Interest.
In Alien it’s a technique used by director Ridley Scott to build tension ahead of revealing the xenomorph in all its predatory glory, but in Jonathan Glazer’s Oscar-winning film about the day-to-day life of a Nazi officer and his family, there’s something far more sinister lurking in the background.
