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The Guardian - UK
The Guardian - UK
Entertainment
Jack Seale

The Vampire Lestat review – a mega-fun glam-rock musical … with bloodsucking

Sam Reid as Lestat de Lioncourt.
‘An uninhibited performance as a Jim Morrison-style lizard king’ … Sam Reid as Lestat de Lioncourt. Photograph: BBC/© 2026 AMC Networks Entertainment LLC. All Rights Reserved./Sophie Giraud

It starts with drums, heavily reverbed: da-doom-ba-CHA, da-doom-ba-CHA, da-doom-ba-CHA, da-doom-ba-CHA-CHA. Cheap, chugging electric guitars kick in. A song plays, and although it’s an original composition it is at least 60% Blockbuster by Sweet. What in the Tony Visconti is happening? This is meant to be season three of Interview with the Vampire! Has it turned into a glam-rock musical?

Yes. Yes, it has. The show based on Anne Rice’s Vampire Chronicles books – a text it is serially unfaithful to while remaining loyal to the source material’s essence, a camp melange of the sinister, sordid and the deeply, sincerely emotional – was previously set in a lush vision of the past, starting in New Orleans in 1910. There romanced the vampires Louis de Pointe du Lac (Jacob Anderson) and Lestat de Lioncourt (Sam Reid), a sensitive pupil and wild, brittle master whose tumultuous relationship was remembered in a second timeline set in 2022 during an interview with Louis conducted by the journalist Daniel Molloy (Eric Bogosian). At the close of season two, Molloy published the titular book.

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