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The Guardian - UK
The Guardian - UK
Entertainment
John Lewis

‘The Köln Concert is the hit he wants to disown’: why Keith Jarrett shunned two new films about his unlikely masterpiece

‘Composing as he goes along’ … Keith Jarrett in 1975.
‘Composing as he goes along’ … Keith Jarrett in 1975. Photograph: Tom Copi/Getty Images

‘I went face to face with Keith Jarrett,” recalls Vera Brandes, “and I said to him, ‘Keith, if you don’t play this concert, I’ll be fucked. And you’ll be fucked too.’” Brandes laughs as she recalls this pivotal conversation, 50 years later. It came after a day of chaos where she, an 18-year-old concert promoter, was desperately trying to convince the famously temperamental jazz pianist to play a concert on a substandard instrument.

“To be honest,” she adds, “I had absolutely not a single clue what those words meant! My English wasn’t then as good as it is now. I’d heard Miles Davis using the f-word while talking to his band, which featured Keith Jarrett, a few years earlier, so maybe I was channelling Miles. Keith must have been floored to hear this teenage girl who looked like Brigitte Bardot’s little sister using this kind of language!”

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