Photograph: Sky UK/PA
This weekend, after the longest hyping up period for a British comedy in ages, Saturday Night Live UK finally launches on Sky. It arrives with a degree of divisiveness that most shows don’t usually attain until at least a few episodes in, with some people willing it on, others are convinced that it will fail. Already there’s been a note of pre-emptive schadenfreude online, with every last piece of promotional material – even a fairly innocuous advert with the letters S N and L spelt out in baked beans – pounced on as evidence that the show will be a complete bin fire.
And maybe it will. I’m hopeful that SNL UK will prove better than many expect: there are some good young comics attached; some shrewd people behind the scenes (it’s heartening to see a couple of members of the great sketch group Sheeps on the writing staff); and the steely presence of original SNL creator Lorne Michaels, keeping an eye on things as exec producer. But equally, this is a hell of a high-wire act. Putting on a live comedy show every week is a daunting enough prospect; but add to that the reputational weight of the original SNL – arguably the US’s most famous comedy export – and it becomes something else altogether.
