Early in Isobel McArthur’s head-spinning new comedy, there is a gag about the uniformity of hotel decor. The joke is plain to see. Ana Inés Jabares-Pita’s inspired three-level set, as wide as it is tall, has a colour palette that extends all the way from fawn to beige. To move from one bedroom to another they simply have to change the number on the wall. Everything is identical.
“Designs like this, which court the aesthetically unspecific, risk offending no one,” pipes up one of the room attendants.
