There are some spectacles of US decadence and decline that almost seem too on the nose – the sort of orgies of vulgar provocation or fantastic lack of self-awareness that exceed the limits of parody, so that if they were in a novel, you’d think the writer was laying it on a little thick. Among these is the all-female flight by Blue Origin, the Jeff Bezos-owned rocket tourism company, which on Monday launched a phallically shaped pod full of women – including the pop star Katy Perry and Bezos’s partner, Lauren Sánchez – on a brief trip into space.
The flight, which was promoted for months in advance, was touted as a triumph of feminism, a win for science and an embrace of the kind of expansive, curious human spirit of striving and possibility that once animated both. Instead, the flight served as a kind of perverse funeral for the America that once enabled both scientific advancement and feminist progress – a spectacle that mocked these aspirations by appropriating them for such an indulgent and morally hollow purpose.
