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The Guardian - UK
The Guardian - UK
Entertainment
Lucy Mangan

The Abandons review – Gillian Anderson’s po-faced western has some very dodgy script moments

Three western-style people on horseback
In full ice mode, despite the dust … Gillian Anderson as Constance Van Ness with Michael Greyeyes as Jack Cree and Michiel Huisman as Roache in The Abandons. Photograph: Michelle Faye/Netflix

Angel’s Ridge, Washington Territory, 1854. It’s dusty, there’s a saloon bar, there are horses, an ineffable sense of – I don’t know, let’s call it manifest destiny – about the place, and the only colour settlers have brought with them is sepia. But wait! What’s this? The owner of the local silver mine riding into town? And it’s a woman! In a western?

Yessir, it is. Not only that but she is played by Gillian Anderson (in full ice mode, despite the dust) and is clearly trouble. Not only that, but there is a second woman about to go toe-to-toe with her and do battle for the town’s soul over the eight episodes that comprise The Abandons, the latest venture from Sons of Anarchy’s Kurt Sutter. Its joint lead is Lena Headey as Fiona Nolan, a devout Irish Catholic woman who has gathered a misfit ragtag bunch of motley orphan crew outcasts about her and lives with this patchwork family in Jasper Hollow. Jasper Hollow, alas, is full of silver that Constance Van Ness (the local mine owner, played by Anderson) wishes to bring under her control to placate one of her investors.

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