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The Guardian - UK
The Guardian - UK
Entertainment
Nick Ahad

Small Island review – Windrush epic speaks to our era with startling clarity

A black man in a suit points while talking to a white man with glasses.
Brought to the stage with gravitas … Daniel Ward (Gilbert) and Mark Arends (Bernard) in Small Island. Photograph: Pamela Raith

A novel from more than two decades ago, telling a story that begins over a century ago: what can an adaptation of Andrea Levy’s Small Island tell us in 2026? Plenty, it transpires, as Helen Edmundson’s adaptation is brought to the stage with gravitas and speaks to our current era with startling clarity.

Rufus Norris was in the chair for the original National Theatre production of the play in 2019. With its regional premiere, director Matthew Xia has breathed life into the piece by simply allowing it to exist in its period – he has not tinkered with either the sense of time or place. The costumes and the apparently simple set first place us between the two world wars that devastated Britain, then take us up to 1948, when the HMT Empire Windrush docked near London, before charting the freezing cold “welcome” those arriving from the Caribbean received from this small island.

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