Last month, Taylor Swift wrapped up the first leg of the Eras tour – a career-spanning, three-hours-plus stadium spectacular that’s proved to be the year’s single most significant pop culture phenomenon, Barbenheimer be damned.
Eras has generated an estimated $5bn boost to consumer spending in the US, forcing cities to ramp up underprepared public transport systems and world leaders to turn into reply guys: Justin Trudeau pleaded with her on Twitter to come to Canada. And fair enough: I saw the final US Eras show in August and found it to be one of the most euphoric concerts I’ve ever seen, a reminder of Swift’s singular generational talent.
