ROSEBUD
In the 1941 RKO Radio Pictures/Mercury repertory theatre production Citizen Kane, Orson Welles essayed a man who began as a whirlwind of prolific energy, only to spectacularly fizzle out, to the extent that near the end, stubborn pride his only remaining fuel, he could barely move around or achieve anything of note at all. Football Daily isn’t sure how any of this relates to Charles Foster’s namesake Harry, or his recent Geopolitics World Cup campaign; nor are we sure what bit of Welles’ career Harry’s mooted move from Bayern Munich to Al-Hilal would be comparable with. The flawed masterpiece The Magnificent Ambersons, perhaps, or that thing where he loses his mind over Findus peas.