The latest film from Canadian queer-punk pioneer Bruce LaBruce is a sluttily sacrilegious story of incest, witches and wayward monks. It’s 1972 in Quebec, and motorbike-straddling stud Dominic (Félix-Antoine Duval) discovers that the mother he thought was dead is in fact alive and living in isolation with her mysteriously ageless lesbian lover. Elsewhere, there’s a monk who seems to be Dominic’s exact double – a source of great interest for a young man who is so infatuated by his own reflection that he spends most of his me-time snapping Polaroid selfies for the purposes of self-pleasure. Unfortunately, like Dominic’s hobby, the film is a bit too self-involved to be much fun for anyone else.
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Saint-Narcisse review – witches, incest and self-pleasure
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