Sabrina Carpenter’s “song of the summer”, Espresso is still riding high in the charts. The only thing keeping it off the top spot in the current UK singles charts is her new release, Please Please Please.
It’s safe to say the new princess of pop has the music world at her feet. But a peek behind the scenes suggests that she is the latest example of a female face fronting a male-dominated industry.
Before going any further, though, I need to address the elephant in the room. I’m writing about gender bias in popular music as a man who works in academia – a field also criticised for its lack of gender equity. While there’s little I can do about being born a man, I can do something about drawing attention to the inherent gender bias in pop music.