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Evening Standard
Evening Standard
Lifestyle
David Jays

Royal Ballet’s The Nutcracker at the Royal Opera House review: a crisp, sweet treat that’s never cloying

The Royal Ballet doesn’t bring its Nutcracker down from the loft every year, but no production more reliably begins the festive season. The 1984 production by Sir Peter Wright – 96 and still going strong, as shown by his stick-waving curtain call – is classy and correct. Less Heston From Waitrose, more a classic slice of Mary Berry.

On opening night, Gary Avis’ heartfelt Drosselmeyer gave the show its tender core. The magician’s nephew has been turned into a nutcracker doll, so at the Stahlbaums’ Christmas party, he entrusts it to young Clara, who immediately cradles it. The nutcracker is in safe hands – and comes to life after bedtime, joining Clara to battle marauding mice and then visit the Kingdom of Sweets.

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