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Caroline Fowler, Starr Director of the Research and Academic Program, Clark Art Institute, and lecturer in Art History, Williams College

Rereading Rembrandt: how the slave trade helped establish the golden age of Dutch painting

Detail from Rembrandt van Rijn's painting Two African Men. Sailko/The Mauritshuis/Wikimedia Commons, CC BY

The so-called golden age of Dutch painting in the 1600s coincided with an economic boom that had a lot to do with the transatlantic slave trade. But how did the slave trade shape the art market in the Netherlands? And how is it reflected in the paintings of the time?

This is the subject of a new book called Slavery and the Invention of Dutch Art by art historian Caroline Fowler. We asked about her study.

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