Pixar’s film-makers are famously asked to pitch three unique ideas when proposing new projects. In terms of Elio, unique is very much the operative word. Presumably that pitch went somewhere along the lines of: “A lonely kid is mistaken for Earth’s ambassador by a UN-style council of sentient celestial bath bombs dipped in day-glow glitter and floating in a malfunctioning lava lamp.”
If you thought Inside Out, with its candy-coloured Freudian crisis management team, was pushing it, the studio’s latest project may make you suspect Pixar has fully surrendered to the void, and is now making films for children who are made of sherbet and tie-dye, rather than flesh and bones.
