The giant purple axolotl peered up at Manuel Martínez from the black bitumen of the street. It was the second such painting of the rare amphibian he had walked past that morning. In recent weeks he had seen axolotl murals pop up in neighbourhoods across Mexico City.
“It’s a waste of money,” he said. “You could use that budget for fixing potholes, traffic lights, security cameras. They’re spending on something that doesn’t benefit us at all – it’s just for tourists.”
