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The Guardian - US
The Guardian - US
Entertainment
Benjamin Lee

Psycho Killer review – delayed satanic serial slasher is devilishly dull

James Preston Rogers in Psycho Killer
James Preston Rogers in Psycho Killer. Photograph: Eric Zachanowich/AP

When a script has passed through multiple hands over an almost 20-year period, one assumes it must have something magnetic enough to keep it within the Hollywood ecosystem and out of the trash. Of course, it’s also assumed that there’s probably something a little cursed about it too but when it finally does get made, the curiosity factor is sky high. Psycho Killer, written in the mid-2000s by Seven’s Andrew Kevin Walker, has had its share of almosts over the years. In 2009, Fred Durst was set to direct. In 2010, Eli Roth was set to produce. In 2011, production was set to begin. In 2015, it was supposed to get German funding. But each iteration found a snag, and it took until 2023 for the film to finally get made.

Three years later, it’s now finally getting released by 20th, AKA Disney, with longtime producer Gavin Polone making his directorial debut, an answer to the question of “Why this?’ quietly arriving in 1,000-plus cinemas.

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