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The Guardian - UK
The Guardian - UK
Lifestyle
Charlotte Jansen

Prix Pictet Human at the V&A review: an exhilarating, scary photographic journey

Jannat, Barmer (detail), 1999, part of Notes from the Desert by Gauri Gill. Courtesy of the artist and James Cohan
Jannat, Barmer (detail), 1999, part of Notes from the Desert by Gauri Gill. Courtesy of the artist and James Cohan. Photograph: Macuser/Gauri Gill

Humans have done a lot of horrifying things. But now the tables have turned, and the human race faces unprecedented peril, nature’s wrath after years of abuse. Photography can only grapple with the enormity of what is happening as the world that we know disappears.

The theme for this year’s Prix Pictet – one of the world’s top photo prizes – is Human. The prize has always favoured titanic themes, but the exhibition of this year’s shortlist of 12 is a spectacular and profoundly melancholy reckoning with what we humans have done, where it’s left us, and where we’re heading.

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